Caught this over the weekend. My first exposure to this piece. and I was somewhat underwhelmed by the score, but ultimately very moved by the performances/story.
I tend to think that unlike Assassins, this show suffered from the bare, set-less, space. I got a general sense of where we were, what was going on, who was who, but in a show where THE PUB, THE CHURCH, THE HOUSE, THE BUS, all matter greatly to move a plot along, the bare stage with some chairs on it wasn't enough to keep it moving seamlessly.
That said, some of the simple staging--like the songs set at Mare Winningham's table-- was an asset. And when the score carried me away, it didnt matter- so AJ Shively's pitch perfect Streets of Dublin number was a sublime 5 minutes of theater. Everyone was great, but he-- and Youmans and Ahmed--really stood out. Its ultimately Parsons' show, and I thought he did a very fine job that culminated in a truly beautiful moment at the end. And I just can't overexpress my appreciation for someone of his fame/fortune dedicating himself to such an intricate show, in such a small intimate space. More of that please.