Longtime lurker, first time poster. I was at the first preview tonight and figured I’d put my 2 cents in. Overall, it was a strong start that is sure to improve from here.
First off, as you may or may not have heard, the show is now one act, running an hour and 45 minutes (show started around 7:07 and ended around 8:51). I’m not familiar enough with the book to say exactly what was cut. The one song that didn’t make it in was “Art”, which is a cute number, but I will admit that its absence does help with the pacing.
Jim Parsons is… almost there. I feel like there are still some acting beats he has to sharpen, especially at the beginning, but his performance deepened as the show went on. His “Love Who You Love” was quite sweet and effective. His singing voice is perfectly suited for what the role requires.
Mare Winningham is as wonderful as you would expect her to be in this role. She’s funny, moving, and her unique vocal tone meshes well with the Celtic sound of this score. Shereen Ahmed and AJ Shively are also quite lovely, though Shively did struggle with the end of “Streets of Dublin.” Hopefully it was just first preview jitters. Thom Sesma nearly steals the show as the pious and hammy (no pun intended) butcher, and Mary Beth Peil and Alma Cuervo bring so much to what are essentially featured ensemble roles. I must also commend the dialect work all around.
The staging is typical John Doyle: Sparse settings, an overly-decorated back wall, and actors playing instruments. This all serves the piece very well, though. The new orchestrations are absolutely gorgeous. I do hope we get a cast recording for the orchestrations alone.
I was very excited to finally see this show and I was definitely not let down. It’s definitely a lovely swan song for John Doyle’s tenure at CSC. Lynn Ahrens was in the row behind me and she looked quite pleased afterwards.
I really like this score and this show, but cutting it to an hour forty-five makes SO much sense. It doesn't need two acts (I like "Art," but cutting it also makes sense). Excited to hear more as it develops.
"I feel safe with you, and complete with you / I'm always finding money in the street with you."
-Sheldon Harnick
Eager to hear more from preview-goers like the above poster. I've adored this score and have waited 27 years to finally see a live production. We have tickets for Tuesday night 2 weeks from now and cannot wait!
One concern-- we're in the front row half way down the right side. Praying there's no furniture piece blocking our view from there...
I saw the show tonight. I watched the recorded original at the performing arts library and fell in love with it. I saw it before I’d come out to anyone and found it incredibly moving. I think my listening to the original cast album somewhat effected how I watched tonight because I think in general the vocal performances were less strong. Despite this I really enjoyed the production and think there’s something incredibly touching about this story. While I think Jim Parson’s accent needs some work I really enjoyed his take on the part. Mare was wonderful. I think my ensemble standout was William Younans-his Cuddles Mary Gave is beautiful. Definitely recommend you try it out especially if you’re not familiar with the material.
Has anyone been successful with the digital lotto or general rush for this show? I'm trying for this coming week but the only performances I can make are Sunday or Tuesday, both of which only have a small handful of tix left. If I'm not able to buy the ticket from the lovely poster above...just wondering if anyone can shed light on lotto/rush. Thanks so much!
Classic Stage offers in-person rush an hour before curtain: $30 for general rush, $20 for students. If it’s sold out, they’ll still sell tickets at rush price, via waitlist.
This is CSC’s standard policy for all their shows, but they suspended it for Assassins because demand was so high. Before I won the lottery for A Man of No Importance, I emailed the box office to confirm they were back to the usual policy - and they are.
I've always loved the Ahrens Flaherty score and was delighted to finally see the CSC performance last Tuesday. Mostly a lovely lovely evening of theater with evocative staging, nuanced performances and beautiful music-making from beginning to end.
Doyle's old shtick of actors playing instruments made perfect sense here to create a living community-- of Dubliners, of amateur players, of witnesses to Alfie's tale of becoming a new person. Each cast member had magical moments to shine, but nothing could top the impeccable work done by Mare Winningham as Lil and A J Shively as Robbie. Only Jim Parsons felt a little removed from truly inhabiting the role of Alfie-- too opaque to convey the breakthroughs his character goes through during the evening. Didn't hurt my enjoyment much. Listening to Shereen Ahmed hold forth as a "Princess", or A J Shivery and company making a joyful noise for "The Streets of Dublin" was pure bliss. Just a lovely heartbreaking show.
Doyle often gets a bit of criticism/accused of being a one trick Pony for actors who play their own instruments but honestly doesn’t he usually actually make it work? There is usually some artistry/concept behind it.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000