Posted: 4/6/16 at 8:52am
I saw this last night with ColorTheHours048 and agree that this is an entertaining mess. The production is slick and consistently surprising, full of interesting and weird visuals. I was glad to hear that there were a great deal of lyrical changes from what was on the London cast album- but the lyrics are still not great, nor is the score, and regardless of the decision to blast "Selling Out" as the audience exits, most people will end up only walk out whistling "Don't You Want Me" or "Everybody Wants to Rule the World."
The production skews toward camp, with its highly stylized scenes and production numbers of mass carnage, with really only few moments of genuine tension. The book often falls back on cheap 80s jokes or campy irony, and genuinely doesn't really hold up in the second half, where it has many weak adaptational choices (having Bateman leave his confessional message to the detective is strange).
Walker, fortunately, has a superhuman ability to carry a show. He's sexy, charismatic, and exudes such star quality- were it not for him and the slick production, this thing wouldn't be able to keep the plates all spinning.
Helene York wrings every laugh she can out of Evelyn, mostly through off-kilter line readings (her pronunciation of "Patrick" alone gets laughs), and Jennifer Damiano impresses in a bland, mousey role. The male ensemble is stunningly gorgeous and get to show it off- a lot. It's a production with remarkably gay sensibility, really.
I'm glad I saw it and I had a good time. I can't say it's a good musical.