This just sounds like such a good idea. I mean it's so edgy, Y'know. They're so brave to try something so radically new. I just HAVE to fly there and see this groundbreaking, daring take on a classic.
There used to be a theatre company in St Louis that would do a gender reversed 1776 concert each year. It was okay - and actually the only time I've ever seen the show.
Lol. A far as traditional goes, on a scale of 1-10, I'd say I'm a 6. I don't mind at all seeing nw stagings of well known works. The Roundabouts recent MENAGERIE was possibly the highlight of last season to me. However things like this are just weird to me and I don't see the point. Not saying they shouldn't be done, I just don't see why it is being done.
I'm not sure I get any point to this, other than the sort-of novelty.
But, unless they change keys, there's going to be a lot of hooty sopranos, aren't there? (Given that men's tessituras generally sit higher than women's.)
Still - wouldn't you love to see Mary Testa try to howl her way through "Molasses?" Stritch as Franklin? Patti barking out "The Lees of Virginia?"
Crawford, along with MTH executive director George Harter and associate producer Chad Gerlt, conceived of the production as a way to showcase the talent of female actresses in the Kansas City area. Though they were initially concerned that audiences may not accept women portraying the political figures in 1776, Crawford said, "When feelers were sent out to our actresses, the response was a resounding 'Oh yes, I would love to tackle that role.' This is what we expected and it gave us more reason to consider it further.
Essentially they're doing it just do it, which doesn't bother me.
When I saw a concert with women as the founding fathers, they had their wives and other women played by men. It reads like that's how it was in the Chicago concert, too. This current one seems to imply that everyone is played by a woman.
"Though they were initially concerned that audiences may not accept women portraying the political figures in 1776, Crawford said, 'When feelers were sent out to our actresses, the response was a resounding 'Oh yes, I would love to tackle that role.' This is what we expected and it gave us more reason to consider it further.'"
Wait, so how does the actresses' enthusiasm ease their concern about what the audiences might think?
Not that revolutionary. It's been done. I actually know of a benefit production in Chicago that was done with terrific transgendered cabaret star Alexandra Billings as...Rutledge, I believe?
And on the subject of a female Rutledge, Kate Shindle...ALL THE WAY.