And The Director Of Wicked (Movie) Will Be... — Page 4
Posted: 11/28/08 at 6:01pm
I loves me some Cheno and Menzel, but they really shouldn't be involved in this movie.
Posted: 11/28/08 at 6:07pm
Posted: 11/29/08 at 12:33am
I thought about it more too, and thought about Moulin Rouge, and thought about how much fun John Leguizamo would be as the Wizard as well. I stick by my original Dustin Hoffman choice, though.
Posted: 11/29/08 at 1:33am
Posted: 11/29/08 at 2:53am
I don't get why people insist that only a newcomer can play the role, perhaps because the show keeps bumping up understudies and recycling from the different legs of the tour. No need for newcomers when there are wonderful Hollywood actresses who can sell the film and do a good job with the part.
Jewishboy, I love STRICTLY BALLROOM! So so so much. It is one of my favorite films too. MOULIN ROUGE is just perfection. I adore Luhrman. I feel he is musical even in his straight films.
Posted: 11/29/08 at 3:09am
Posted: 11/29/08 at 9:16am
Why? "Australia" will be no bigger a flop than Rob Marshall's "Memoirs of a Geisha". Chris Columbus failed with "RENT", Tim Burton flopped with his "Planet Of The Apes" remake and "Sweeney Todd: The Demon Barber of Fleet Street" never really made it to the hit category, either. No working director is without a miss step. Doesn't mean they don't work again.
Oh and the actual title is "Moulin Rouge!" with an exclamation point. If you're going to discuss someone's work, at least get the title right.
Posted: 11/29/08 at 10:01am
I have no problem with Elphaba being played by an unknown but extremely talented actress, but the fact they will almost certainly go for a 'name' that isn't right for it - vocally, most likely - i do have a problem with. Alas, that's Hollywood.
Posted: 11/29/08 at 10:04am
Posted: 11/29/08 at 10:08am
blocked: logan2, Diamonds3, Hamilton22
Posted: 11/29/08 at 10:11am
I don't expect it to happen whatsoever, but it would be a nice idea. She has a very pop voice and she can belt/riff along with the best Divas in the charts right now.
Coinciding the film with her album/singles would be pretty smart. She could actually do a movie/music crossover.
Does she have the Hollywood 'look'...not really, but she is more what the film needs than a Broadway actress.
Posted: 11/29/08 at 10:14am
Posted: 11/29/08 at 10:15am
Posted: 11/29/08 at 10:28am
However ... Baz LOVES working with stars, so he'll probably cast well-knowns as the two leads.
I'm still thinking Anne Hathaway and Amy Adams have the best shot at it.
The one thing they need to be careful about is probably something they're not even concerned about.
"Oz" is a decidedly American fairy tale. Baz is a decidedly non-American film director.
If his "Wicked" or his Oz end up being some sort of Euro-Grimm-Potterish hybrid, it won't work.
Even though I suggested Broadbent as the Wizard in another thread, the more I think about it, that would be a mistake.
It would be like casting American actors in the Harry Potter movies. One of the great appeals of Potter is the whole British feel. Again, it's not something you think much about, but if the setting is wrong, you will notice it.
Same thing with Oz and Wicked. It's roots are found the biggest American fairy tale our country has ever produced. That's part of its appeal, and its fundamental fabric.
blocked: logan2, Diamonds3, Hamilton22
Posted: 11/29/08 at 10:29am
I don't think the grievance is that she is too big a personality. Just the opposite: in Enchanted and RENT she had less personality than the plastic bag in American Beauty. And less likable for that matter.
Updated On: 11/29/08 at 10:29 AM
Posted: 11/29/08 at 10:30am
Posted: 11/29/08 at 10:44am
Okay, you have NO idea what you're talking about.
It's one of the reasons L. Frank Baum had so much trouble selling his novel. It was "too American" and publishers felt that people didn't really want to read an American fairy tale. That's why he had to put up the money for the first printing himself.
As far as Wicked not being "very American," even the stage show's design takes its cues from the original Denslow drawings and then elaborates from there. Denslow's approach was a decidedly American, turn-of-the-century look.
Which is why most of Wicked's chorus costumes are based on those styles, and then "put through the imagination mill" to mix with other fashions. But most of the Oz costumes come from the Denslow 1900s American drawings.
And Oz's architecture (Emerald City, etc.) is mostly Byzantine, which was a popular style at the turn of the 20th century. And it's taken from the illustrations as well.
It's very much a product of its country and its era. And Wicked captures both of those things beautifully.
Do some research next time. It'll help.
And again, this is not something people will notice unless it's wrong. If the feel of the movie is wrong, they'll figure it out pretty quickly.
blocked: logan2, Diamonds3, Hamilton22
Posted: 11/29/08 at 11:02am
Suffice it to say, the film's an international success and has been translated in to countless languages. Judy Garland as Dorothy is probably one of the most recognizable images of cinema, not only American but world cinema.
On top of all of that, Wicked is not The Wizard of Oz and aside from a few visual cues really looks nothing like the original film other than the deliberate recreation of the cornfield/post-tornado scene. It stands as its own entity with productions in Japan, Australia, London and Japan with many more international productions in the work.
Updated On: 11/29/08 at 11:02 AM
Posted: 11/29/08 at 11:06am
I agree with you that there is a danger they go too Grimm-esque European with Shiz being a boarderline carbon copy of Hogwarts...the only way around that is to make it such a hybrid that you have no idea where "Oz" is supposed to be. Accents may be integral to that, keeping them quite Anglo-American.
Just had a thought; they won't cast Ashanti will they?! It seems bizarre they asked her to be part of the Anniversary but had never seen it - testing the waters to see how the audience reacts to her in the part maybe?
I hope not.
Posted: 11/29/08 at 11:47am
It stands as its own entity with productions in Japan, Australia, London and Japan with many more international productions in the work.
You're forgetting that these productions all use the American design as they all are carbon copies of the Broadway production.
HARRY POTTER is an international success as well, it has been translated into countless of languages, loved and adored by millions of people, and it stands as one of the most successful movie franchises today. Yet, it still is as British as the Queen and the films (from casting to the look to the dialogue, of course) are incredibly British.
Besty is not saying that only Americans would see or appreciate WICKED or THE WIZARD OF OZ, for that matter. What I think he is saying (don't want to disrespect by putting words in his mouth) is that the world of Oz is a very American world, with cues, influences, and motifs firmly based on turn-of-the-century American standards.
Posted: 11/29/08 at 11:48am
Exactly. You may not know why it isn't working, but it won't be working if they turn this into Lord-of-the-Chronicals-of-Grimm. And Baz Luhrman can be very European in his stylistic approach. He can be wildly creative with Wicked, just not "Euro."
If they go that route, they will be taking away exactly what is unique about this story and its genesis. It's fundamental fabric.
And if you don't think Gregory Maguire as well as the full creative team behind the musical paid attention to that, you're dead wrong. Maguire knew exactly what he was doing when he wrote Wicked. It's painstakingly researched. He pays respect to the original stories and the MGM film in countless ways.
And I've never seen an incarnation of an Oz story that steered too far away from the "Americana" roots that worked. They've tried. None of them have succeeded.
Just like I wouldn't want to see Hogwarts filled with Kansas prairie girls or surfer boys.
blocked: logan2, Diamonds3, Hamilton22
Updated On: 11/29/08 at 11:48 AM
Posted: 11/29/08 at 11:54am
That's exactly what I'm saying.
Maguire's "Wicked" and its stage show adaptation aren't set in America. Anymore than Lord of the Rings is set in Great Britain. Or Narnia, for that matter. But their fabric is decidedly British. It's part of what gives those stories character and charm. It's their foundation.
Same thing with Wicked. And The Wizard of Oz. It's not America. But it's American.
I hope Baz recognizes that. He did pretty well with Romeo + Juliet. That was close. It felt like an American-Euro hybrid.
He'll have to get closer with Wicked (which I think he can do, if he tries). I'm not talking about the physical locations of the movie, although that's part of it. I'm talking about the overall approach, from casting to costumes.
I'm talking about the basic sensibility.
EDIT: For somebody like Spielberg, who was originally rumored to be directing this movie, it would be second-nature.
For Baz? Not so much. I'm not saying he can't do it. I'm just saying he'll need to work at finding that "voice." It's not something he'll "get" right away.
And Chris Columbus wasn't British. You can argue that his Potter films are/were the least successful of the bunch, but I don't think that had to do with his being American. Well, come to think of it, maybe it DID. They're very "Hallmark family movie." And that's the warm-and-fuzzy American approach to children's entertainment. Once you handed the movies over to international directors, they added a much-needed missing "flavor." They suddenly felt "Euro," in a most appealing way. You have to remember, too, that they were considering many Hollywood names for roles in Potter. Including Haley Joel Osment as Harry. It was Rowling who urged them (not demanded) that they keep the British flavor. It made Warner Bros. nervous, and they were worried that American movie audiences might not take to it. But with the success of Potter and Rings, we now have TONS of Euro screen fairy tales coming at us in the cinema.
That's where "Wicked" can stand apart from them.
blocked: logan2, Diamonds3, Hamilton22
Updated On: 11/29/08 at 11:54 AM
Posted: 11/29/08 at 12:16pm
I really don't think Baz needs to strive to keep Oz strictly American feeling. Moulin Rouge depicts Paris beautifully although entirely in English with varying accents, so I would assume he could do justice to an imaginary location.
Posted: 11/29/08 at 12:28pm
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