DiscoCrows said: "The orchestral depth and tap is clear as day. Incredible recording, will be on repeat with Death Becomes Her all summer. Woohoo!"
Yeah, it sounds much richer than 15 players. Really excellent work by Doug Besterman (orchestrations), Daryl Waters (music supervision), Stuart Andrews (Keybaord programmer), and the rest of the music team. I was surprised when IBDB reminded me there are only 2 strings (vln + cello), one percussion, and no guitar.
That Overture is a delight, especially the very beginning. Sometimes hard to hear these things in the theatre because people tend to whoop after the announcement as the lights go down.
BOOP and SMASH might end up being the most-licensed musicals of the season because they appeal to four-quadrant audiences, they have a lot of lead & ensemble parts, there isn't racial specificity, and they're family-appropriate.