I actually agree with your comments about Ashford's work, Matt2, even though there were definitely parts of Curtains and How to Succeed that I thought were incredibly well choreographed. I thought some of the work in Buenos Aires (the only part I've seen, since I never saw the show in London) was great, but don't necessarily think Eva should be the participant he has her being.
My post was simply pointing out that Elena Roger is a very strong dancer and is really utilized in this production.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad