How about debating about these shows OUTSIDE of this thread?
Discussing how a 19 year-old "crtitic" didn't really understand a Broadway musical isn't as interesting. It was a very strong season and all four nominees were worthy of the top prize. Will Rogers Follies was an ingenious show and its concept was brilliantly executed by a dream team of Broadway legends: Tommy Tune, Cy Coleman, Betty Comden & Adolph Green, Peter Stone, Tony Walton, Willa Kim and Jules Fisher. It managed to be both new and nostalgic, offering a dazzling glimpse into Broadway history that most of the audience never had the opportunity to experience. It was funny and touching with a catchy score that sounded fresh with just enough pastiche to evoke the era, knockout performances, and it was visually stunning.
I actually loved all four shows pretty equally, but to me, Will Rogers Follies winning Best Musical wasn't really that surprising. Miss Saigon was steeped in controversy (though the star caught in the center of the controversy still managed to win the Tony) while critics were calling for an end to the era of the 80s megamusicals (and criticizing the lyrics). Resentment of British imports had crept in and with the exception of Sunset Boulevard winning somewhat by default in 1995, we wouldn't see another British musical take the top prize again until 2009 with Billy Elliot (and no other since). Once on This Island was "the little show that could", a small and sparsely staged Off-Broadway charmer that that got lost in its Broadway transfer amid a sea of spectacle and juggernaut hits. The Secret Garden mostly charmed critics but struggled to find an audience by darkening a children's story to a point that it couldn't neatly fit into an easily identifiable pre-fab category that would attract tourists and casual theatre-goers.
The closest we've had vying for Best Musical since then was probably 2005 with Spamalot, Scoundrels, Piazza and Spelling Bee.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Updated On: 10/4/18 at 11:28 AM