As we've seen by the recent work of John Doyle on Sweeney Todd, Company, and Mack and Mabel, often a show really benefits from being stripped down to a minimalist, intimate production. Ever seen a show done on a mammoth scale and feel that it would benefit from a much more intimate setting, with lesser production requirements? What shows would you like to see stripped down sometime?
I would love to see Carousel, JC Superstar, Miss Saigon, Evita, Gypsy, and Oklahoma! done in this fashion.
I did a VERY minimalist JCS last summer. It was really good! It was one of those "once you see it done this way you cant imagin doing it in a different way" kind of things. However, it was my first experiance with the show, so...yeah.
Btw, Bigrab, your list for WICKED could possibly work! I have o admit that I laughed whenI read "Nessarose: Cello on Wheels"!haha!
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I would love to see a minimalist commercial production of Kiss of the Spider Woman. And another minimalist production of Ragtime, it just really works.
I think Gypsy would be really amazing if it was done on a scaled down production. Or perhaps Into The Woods, I think Into The Woods would gain a lot with a stripped down production.
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I have an obsession with "Beauty and the Beast's" score. For me, the score carries the show and could carry the show in my mind in a stripped down version. I even had an epiphany on how to stage it in a stripped down version the other day. However, I worry that the show might not be able to carry itself for others who aren't such rabid fans of the music. I hate seeing all of these amateur and even regional productions of the show that try to emulate the multi-million dollar Broadway production with a few thousand dollars. Folks need to get creative with the show and scale it down and do it well rather than doing a piss poor job copying Disney.
i dont think ragtime could work scaled down. i saw a production that was inbetween huge and small... i guess that would make it a medium production, hah. and it just didnt work at all. but perhaps it needs to be a huge broadway blowout or a minimalist production to work. no in betweens.
in response to an earlier post, i have seen a scaled down carousel and it was stunning.
Last summer I was in a sort of minimalist production of Ragtime. The only set piece we had was the car, and there was minimal blocking, and it really focused on the music. It was the best production in the area that season.
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I've always thought that a small production of Les Miz could work - and very well. But it would have to be considerably re-imagined and likely wouldn't be accepted - no matter how good - for quite some time. It could work.
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Oh boy it does work SO well scaled down. They did a version in London that didn't have any huge moving scenery and nor a cast of thousands and it was MUCH more moving than the Broadway version.
Broadway felt like it was all about the spectacle, cold, sterile and distant, in london you REALY conected with the characters.
Why would a small wicked be a joke...the book is very dark and when I read that they were doing a musical of it and I hadn't heard that Schwartz was attached...I figured it would be a very chamber like show based on how dark and complex the book is. I think a scaled down Wicked would be very interesting.
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I must jump on the ITW bandwagon. I think it could be an excellent production, especially if done with a string quartet such as mentioned below.
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ITW would be very cool scaled down, though it might come off as weird since you still have to incorporate some of the "magic" in the show like the witch's transformation.
I'm on the board of a small theatre here in Richmond, VA. We did KISS OF THE SPIDER WOMAN in a 65-seat theatre and it works extremely well, especially in focusing the story back on Molina and Valentin, and less on the spectacle associated with Aurora. The only regret is that the entire score had to be pre-recorded, or we would have had to do it with piano only. But it was an amazing production.