For what it's worth, Trunchbull was played by a woman when the RSC workshopped the show. They never even thought of having a man play it until Carvel became involved, and they've said they're not opposed to a woman playing it in the future (I'd say the odds are pretty high it'll happen eventually, since Carvel is such a unique performer.) This certainly
isn't like Edna in HAIRSPRAY, where a man playing the role was ingrained in the very conception of the part.
Jonwo, I always forget that Ward is American. In that case, given her relationship with Warchus, she very well
could come over with the show, but I do I know their family (they have three children) is based out of London. Having her do the show there is relatively easy in terms of their home life, but moving the kids to New York for at least a year may be a bit of an upheaval for them.
Personally, I'd like to see them go a bit younger and brighter with Miss Honey on Broadway. Ward was terrific, but I found there to be something really magical about having a young woman discover a kindred spirit in Matilda in the film, and I missed that in the stage version. In terms of who's been suggested here, Jill Paice always comes across as totally cold and lifeless to me, but Celia Keenan-Bolger sounds like a
terrific idea. She has a quirky sensibility that's perfect for this type of material, and she's also infinitely lovable, which is crucial for the part.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Updated On: 2/28/12 at 10:47 PM