Broadway Grosses: Week Ending 10/16/22

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

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Up for the week by attendance (% of capacity) was: TOPDOG / UNDERDOG (13.4%), THE PIANO LESSON (9.4%), HAMILTON (4%), ALMOST FAMOUS (3.8%), LEOPOLDSTADT (2.3%), THE KITE RUNNER (2.1%), SIX (1.5%), FUNNY GIRL (0.6%), THE LION KING (0.3%), ALADDIN (0.2%), MJ THE MUSICAL (0.1%), THE MUSIC MAN (0.1%),

Down for the week by attendance (% of capacity) was: COST OF LIVING (-18.8%), 1776 (-12.2%), DEATH OF A SALESMAN (-11.1%), INTO THE WOODS (-7.7%), HARRY POTTER AND THE CURSED CHILD (-5.2%), BEETLEJUICE (-4.4%), A STRANGE LOOP (-3.7%), CHICAGO (-2.5%), WICKED (-1.7%), HADESTOWN (-1.6%), THE BOOK OF MORMON (-0.7%), MOULIN ROUGE! THE MUSICAL (-0.1%),

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Some of the newer shows might not even make it to January.

I know they only had 4 previews but those KPOP numbers are not encouraging

Boy, it's rough out there for the new shows. But the LEOPOLDSTADT numbers are gratifying and so well deserved.

I'm incredibly happy for Leopoldstadt and its ever increasing grosses. Word of mouth for this high quality production served them really well. Truly a gem of this season.

I have to say, last year, before MJ started previews, I was afraid it'll have the same short lived run as most of the recent juke box musicals. I couldn't have been more wrong.

Of note this week, THE PIANO LESSON opened at the Barrymore 10/13. TOPDOG/UNDERDOG is in previews at the Golden and opens 10/20. ALMOST FAMOUS is in previews at the Jacobs and opens 11/3. KIMBERLY AKIMBO began previews at the Booth and opens 11/10. KPOP began previews at Circle in the Square and opens 11/20. A Note About WICKED: There were two capacities at the Gershwin Theatre this week. Four performances had 1,807 seats and four performances had 1,926 seats, for a total capacity of 14,932. As this report cannot accommodate both capacities, the figure 1,867 was used.



What's going on a WICKED? Is the rear mezz getting closed off during the week?

I’m guessing Topdog had majority of comps since the average ticket price is roughly $40. I know rush is $35-$40. I’m hoping it gets positive reviews when it opens on Thursday.

I’m hoping KPOP will do better as it gets more media exposure. I have tix to see it again next weekend.

In changing times, I love that there is still a Broadway audience for Leopoldstadt.

Maybe Broadway is changing faster than the people who go and see Broadway shows!!

TaffyDavenport said: "Julie Benko selling out Thursday nights is still wild to me. "A rising tide lifts all boats," indeed."

I do wonder how much of that is confusion in the marketplace. I might wager that 25% of buyers showed up thinking they were seeing Lea (even tho it has been heavily noted that she doesn’t play Thursdays).

Like when Hugh Jackman was out of MM, but the show still did more than $1M, because people either thought he was gonna be in or didn’t cancel their tickets.

Hadestown, my friend, I need you to go up!

I still gagged that Into the Woods is making 1.2M+ without a NAME, good for them.

Which new show closes first is my guessing game right now!

There’s definitely a good chunk of people who go in thinking they’re getting Leah on Thursdays. Some have even said “we didn’t know until we sat down”, despite multiple avenues of digital alerting and the big sign out front that has Julie’s face and name on it. I can only imagine there’s still a chunk of people who think Sara is still in ITW, albeit a small chunk.

SouthernCakes said: "BoringBoredBoard40 said: "I would venture to guess Kimberly or K-Pop go first

Also Into The Woods has Two TONY winners and multiple TONY nominees in the cast so I wouldn't say it is lacking "names""

Based on one week of partial previews? Lordy.
Both have great investors and they know what they’re doing."

lolz ok we get it you work on one of these shows, chiil out my guy

The reality is that TONY awards and TONY nominations don’t turn actors into bankable “names.”

Or rather, there’s a pivotal difference between a Broadway “name” and a TV/movie/music name, where the box office is concerned (and this is a thread about the box office).

This has been demonstrated consistently, time and time again. Broadway names don’t hurt, but they don’t sell enough tickets to make or break their recoupment because their sphere of “fame” is too niche and insular. And even having a successful TV/film/music career doesn’t guarantee butts in seats, as other recent/current examples have shown.

So yes, it is very impressive that Into the Woods is continuing to rack up $1.2MM grosses without any names.