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Broadway Grosses: Week Ending 10/23/22

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#1

Broadway Grosses: Week Ending 10/23/22

Click below to access all the Broadway grosses from all the shows for the week ending 10/23/2022 in BroadwayWorld's grosses section.

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

Click Here to Visit the Broadway Grosses...

Up for the week by attendance (% of capacity) was: COST OF LIVING (7.5%), LEOPOLDSTADT (6.7%), BEETLEJUICE (4.6%), THE KITE RUNNER (3.4%), INTO THE WOODS (3.3%), THE BOOK OF MORMON (2.2%), HADESTOWN (1.1%), SIX (1%), 1776 (0.8%), A STRANGE LOOP (0.5%), THE PHANTOM OF THE OPERA (0.4%), KIMBERLY AKIMBO (0.2%), THE LION KING (0.2%),

Down for the week by attendance (% of capacity) was: TOPDOG / UNDERDOG (-13.9%), DEATH OF A SALESMAN (-7.7%), THE PIANO LESSON (-6.3%), KPOP (-3.9%), ALMOST FAMOUS (-3.8%), ALADDIN (-2.9%), CHICAGO (-2.6%), WICKED (-2.3%), HARRY POTTER AND THE CURSED CHILD (-1.9%), HAMILTON (-1.5%), FUNNY GIRL (-0.2%), MOULIN ROUGE! THE MUSICAL (-0.2%),

Click Here to Visit the BroadwayWorld Grosses...

#6

Broadway Grosses: Week Ending 10/23/22

If there was some grosses betting site, I would put my money that FG hits $2 million mark during holidays.
#7

Broadway Grosses: Week Ending 10/23/22

Funny Girl should just play out the duration of Michele's contract and then close on a high. There's simply no replacing her.

I'm starting to question the long-term viability of SIX and Moulin Rouge!.

Maybe now people are realizing Bareilles has departed Into the Woods.

Most new musicals will be screwed for the foreseeable future.


“I am furious, but I am sailing.”
#8

Broadway Grosses: Week Ending 10/23/22

I think it's more like most of the theater nerds in NYC have seen ITW and tourists probably aren't that interested. I'd imagine it does well Thanksgiving-New Years though.

#9

Broadway Grosses: Week Ending 10/23/22

I'm starting to question the long-term viability ofSIXandMoulin Rouge!.

Most new musicals will be screwed for the foreseeable future.
"

Six is doing just fine. What are you talking about?

The new shows on the other hand. K-Pop... $60 avg ticket is not good in that small theater.

#10

Broadway Grosses: Week Ending 10/23/22

ITW continues to maintain higher asking price points until a day or two before performance even when huge swaths of the orchestra and mezzanine sit unsold. Must be the producers' strategy.

#11

Broadway Grosses: Week Ending 10/23/22

RippedMan said: "I think it's more like most of the theater nerds in NYC have seen ITW and tourists probably aren't that interested. I'd imagine it does well Thanksgiving-New Years though."

The midweek performance I saw a few weeks ago was so charmless and over-the-top compared to my previous visit at City Center that I've stopped recommending it. That said, from the conversations I overheard, it seemed that most people near me in the center orchestra were out-of-towners.


Sister George
#12

Broadway Grosses: Week Ending 10/23/22

EDSOSLO858 said: "I'm starting to question the long-term viability ofSIXandMoulin Rouge!."

It’s interesting we’re questioning the long term viability of shows making well over a million dollars a week

KPOP and Almost Famous are just sad.


My father (AIDS) My sister (AIDS) My uncle and my cousin and her best friend (AIDS, AIDS, AIDS) The gays and the straights And the white and the spades
#13

Broadway Grosses: Week Ending 10/23/22

RippedMan said: "I think it's more like most of the theater nerds in NYC have seen ITW and tourists probably aren't that interested. I'd imagine it does well Thanksgiving-New Years though."

I would say that for many new shows. I know I saw Topdog/Underdog last week and, not only the rush seat was $200+ front row ticket, but the entire rear Mezz was closed and everyone moved down to front.

For KPOP to have that number with a production of that complexity and size is REALLY bad.

For “A Strange Loop” it seems to be holding its own - I’ve noticed weekdays are far less attended than the weekends. It’s also a SUPER easy rush.


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#14

Broadway Grosses: Week Ending 10/23/22

The only show I continue to question is Hadestown. How much life do we forsee it having?

#15

Broadway Grosses: Week Ending 10/23/22

Lea Michele really just outsold ''Lion King'' and ''Wicked''... wow!

I mean, ''Funny Girl'' is the only show in top 10 that is not on a 10k+ seat theater, that's amazing.

#16

Broadway Grosses: Week Ending 10/23/22

''Into the Woods'' had a really big grop, but they are closing in two months and the holidays are in the corner, it will be a beautiful run anyway.

How much is the weekly nut for ''Kimberly''? I remember the last musical there, ''Next to Normal'', was something around 200k, but that was a decade ago.

''Almost Famous'' and ''KPOP'' will only last past New Years if their producers have really big pockets.

#17

Broadway Grosses: Week Ending 10/23/22

I'd give KPop a bit more time before declaring it anything. I mean, look at Gent's Guide. That show was on the major struggle bus until it snagged the Tony.

#19

Broadway Grosses: Week Ending 10/23/22

Of note, Almost Famous has only been playing 6 shows a week and it looks like K-Pop did this week as well. Their numbers aren't terrible with that in mind and the fact that a lot of people got $19 preview tickets to K-Pop

#20

Broadway Grosses: Week Ending 10/23/22

I could not be more thrilled for Leopoldstadt! If you have not seen the show yet, please find a way to!

#21

Broadway Grosses: Week Ending 10/23/22

One reason Into the Woods had that drop is because the original extension went through October 16th. I'll be curious to see if this last extension will continue to be (relatively) quiet until the holidays.

#24

Broadway Grosses: Week Ending 10/23/22

Alexander Lamar said: "What was the reason gross potential isn’t being calculated (or shared)?"

Same question. My guess as to why they aren’t sharing it is because gross potential fluctuates so much. I think it was Harry Potter someone here brought up as an example. It’s gross potential would be so low in comparison to holiday weeks. The show was hitting 100% of its selling potential, but was arguably losing money in order to do so.


My father (AIDS) My sister (AIDS) My uncle and my cousin and her best friend (AIDS, AIDS, AIDS) The gays and the straights And the white and the spades

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