To everyone who's commented, "belting" is not only a female characteristic. Vocal chords are the same in men and women, only men's are thicker than women's. They're still the same form. The difference is that women develop their version of their falsetto (their head voice) while men never really have the need to, and when they do it's in very small circumstances. When you hear men in musical theatre like John Raitt (RIP) and then hear someone like Barbara Cook, they're singing two completely different ways. Men basically only need to learn to sing in their chest voice, while women need their head voice for much of musical theatre.
The one person who somewhat defies this trend is Mandy Patinkin, who utilizes both his chest and head voices to an equal extent. The only reason that people think the "belt" is specific to women, is because all men are learning to do is belt. Every man on Broadway is a belter. They may have different qualities to their voice, or different ranges, but they're all belters.
I'd continue explaining, but I'm dead tired.
Eeeeeeyyyyyyyyaaaaaaaannnnnddddd aaaaaaaiiiiiiiiyyyyyyaaaaaammmmmmmm teeeeeeeelllllliiiiiinnngg yyyyooooooouuuuuuuwwwaaaahh...