You're reminding me of people you hear at the movies asking questions every ten seconds, "Who is that? Why is that guy walking down the street? Who's that lady coming up to him? Uh-oh, why did that car go by? Why is it so dark in this theater?" - FindingNamo on strummergirl
"If artists were machines, then I'm just a different kind of machine...I'd probably be a toaster. Actually, I'd be a toaster oven because they're more versatile. And I like making grilled cheese" -Regina Spektor
"That's, like, twelve shows! ...Or seven." -Crazy SA Fangirl
"They say that just being relaxed is the most important thing [in acting]. I take that to another level, I think kinda like yawning and...like being partially asleep onstage is also good, but whatever." - Sherie Rene Scott
The heel is very clever. His body looks a little feminine to me, and I'm a little bothered by how large "Catch Me" is in compared to "If You Can." Otherwise, pretty nice. I couldn't be more excited for this show.
I'm excited about the show, but that NYT artwork has to go, preferably emphasizing the two lead characters (NOT Butz and Tveit in particular, but the characters themselves -- after all, they are the reason for the show's being in existence in the first place).
I don't really think "bad" artwork necessarily means the show is going to be a flop.
If I didn't believe in you
We'd never have gotten this far
If I didn't believe in you
And all of the ten thousand women you are
If I didn't think you could do
Anything you ever wanted to
If I wasn't certain that you'd come through somehow
THe fact of the matter is, Cathy
I wouldn't be standing here now
-The Last Five Years
The new artwork makes me think that the show is about a flamboyant gay pilot who likes to dress as a lady... where maybe the title "CATCH ME If You Can" implies that he is SUCH a fairy that you have to literally catch him because he's flying very far away from heterosexuality.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle