Prior to the announcement of this production moving to Broadway, I had next to no idea what this show was truly about. I read the show's Wikipedia page and was really still not sure how exactly that plot would transfer into a show, but I was willing to give it a go.
I'm so extremely glad that I did.
Finian's Rainbow is a classic Broadway musical with a capital C and it truly has such a genuine feel of a classic musical and that's truly part of it's appeal.
The plot is dated here and there, but there are still several themes about greed/money and racism that still exist even today. Living in a country where we just elected an African American president, it's not hard to imagine that some of those good old boys in the South don't act just like the slimy and bigoted Senator Rawkins.
The cast is down right superb and really give one-hundred and ten percent with each song, dance move, and scene. The ensemble dancing was fantastic and the ensemble as a whole was very strong, one of the strongest I've seen in awhile.
As for the leads:
Jim Norton is enchanting as the always dreaming big title character. His want to help his daughter settle down and give her all he can is truly heartwarming and his comedic scenes are fantastic. He's endearing, a bit stubborn and just fantastic.
Kate Baldwin's voice is so gorgeous that she could sing the phone book and I'd be completely enchanted by it. With each song, step or line, Kate completely enchanted the audience with her comedic-ways as well as her endearing charm. Truly the spitting image of an Irish lass, Baldwin and Norton made a perfect father/daughter team and played off one another brilliantly.
Cheyenne Jackson is a star. The man oozes charisma and charm with a single smile and his singing voice is perfect for the gorgeously lush score, especially "Old Devil Moon", his signature song. Jackson and Baldwin's chemistry is pitch-perfect and their voices blending is just heavenly.
Christopher Fitzgerald is adorable and a huge scene stealer as Og the Leprechaun. His voice is gorgeous and soaring, and I'm so glad that I get to see him finally use it (I've only previously seen him in Wicked). His comedic timing was pitch-perfect and he just was beyond adorable, neurotic and fun!
Chuck Cooper as the enchanted form of Senator Rawkins has a powerful voice and really rocked "The Begat" number to it's core. Cooper and Terri White, as Dottie, truly work their fairly small roles with huge voices that make use of their time on stage.
The dancing in this production is top-notch, especially the ballet done by Alina Faye as Susan The Silent. Each number burst with energy and joy that truly did the classic show justice.
I know many people have said they weren't too fond of Finian's Rainbow, but I truly think this classic tale of dreams and a little bit of magic is just what Broadway could use right now. I suggest that you follow the rainbow over to the St. James and see the beautiful colors of Finian's Rainbow.
"Anybody that goes to the theater, I think we’re all misfits, so we ended up on stage or in the audience.” --- Patti LuPone.
I haven't seen him in this yet, but in every other show I've seen him in, Cheyenne Jackson has been as about exciting as watching paint dry. How such a dull, boring performer continues to get work puzzles me.
I was there tonight too & loved the show. Everybody in it does an incredible job. I was totaly blown away by Kate & Cheyenne's singing & chemistry together. And Jim & Christopher are both scene stealers. I gotta give props to Terri White too... OMG what a voice. I smell a hit
< Patty Duke (the original Neely O'Hara) & me (March 8, 2010)
My partner and I loved this show - we saw it on our last night in Manhattan. We got to meet all the cast at the Stage Door and get their autographs on the poster. Chris Fitzgerald has spectacular legs!!
Everyone was fantastic, and the set design was beautiful. I have fond memories of seeing THE PRODUCERS at that theatre during previews.
I got a rush ticket for the matinee today and I thought it was phenomenal. Chris Fitzgerald stole the show for me, but everyone in it was sooo amazing!! Cheyenne Jackson flubbed on one of his lines though, which was kind of funny.
I saw the matinee today, and thought it was cute. I didn't find the plot to be dated, just old-fashioned (I don't mean that in a bad way, though). I agree with you, Clumsy, that Christopher Fitzgerald, the ensemble dance numbers/second act ballet, and the score were great. For me, those three things were the highlights of the production.
AbbyNormal13, Cheyenne's line flub was funny! He did a nice job trying to cover it up. Updated On: 10/24/09 at 10:10 PM
Yeah.. because you HAVE to be exceptionally talented to be in a successful show. No. Comparatively untalented people are in successful shows, just as HUGELY talented folks are in unsuccessful shows.
Needless to say I personally love Cheyenne and think he's absolutely brilliant on a stage.
anything you do let it come from you and it will be new.
Morgaine885- Success has nothing to do with how long a show runs. It has to do with making money. None of the shows you mentioned (except Altar Boys, which doesn't count because Cheyenne wasn't involved in the off Broadway incarnation of the show) made money. They all flopped, which, technically means they were not successful.
ps- I think Cheyenne is an incredible performer, and I don't understand anyone who doesn't see that. While I am not a huge fan of some of the pop inflections he has used in Damn Yankees, he did a pretty good job of dropping those for Finian's... at Encores.
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
Smaxie- Thank you for reminding me about AIDA. For some reason I always think it was still in the red when it closed.
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
I guess "successful" means something different to me, then...
But, for the most part, he's gotten great reviews and audiences seem to love him. He's also only been a working NYC actor for seven years, and I suspect he has many projects ahead.
Actually, I'm not a huge Cheyenne fan myself, but I thought he did a very good job in Finian's (certainly better than in Xanadu, and I know I might get lynched for that...) I've seen people complain about his folksy aw-shucks-style acting, but it completely works for Woody, who is a folksy aw-shucks kind of character.
That said, he was completely overshadowed by Baldwin and Fitzgerald.
"Are you calling me a procrastibator?" Hunter, [title of show]
"Guess who's gonna get blamed for the war in Europe?" Eugene, Brighton Beach Memoirs
I have nothing against Jackson- but he is simply not a draw. People do not come see a show to see him. And in the two shows you call successful (Millie & Aida) he was a replacement- and again, no one bought tickets to see him.
Clumsy I could not agree more with your assessment. I saw the show this past Saturday night and loved it. I liked the books pleasant mix of whimsy and social satire and there quite literally is not a bad song in the score. I'm keeping my fingers crossed that this will get a cast recording.