On my previousd thread, I asked about COMPOSERS you dislike and many got off track with listing lyrics. What I would like to know about is the melodies NOT lyrics. Put the words out of your thoughts.
Composers: Jerry Herman Alan Menken ALWebber - listen to some recordings of just his melodies Jule Styne
Jason Robert Brown def makes top of my list. I think he is BRILLIANT
others I love: -Jonathan Larson -Duncan Sheik (I know, I know, he's only written SA so far, but I really love the score haha) -Tom Kitt -Scott Alan -Elton John -Michael Arden (I've really only heard like 2 of his songs from Easter Rising, but they're SO gorgeous!)
So yeah, I'm def a fan of contemporary, more "modern rock" composers. I just tend to relate more to them than to the more classical ones
I don't need a life that's normal. That's way too far away. But something next to normal would be okay. Something next to normal is what I'd like to try. Close enough to normal to get by.
Adam Guettel, Richard Rodgers, Leonard Bernstein, Jerome Kern, Stephen Sondheim, John Kander, Andrew Lloyd Webber (yes I admit it). As for lyricists, Sondheim is by far my favorite. Updated On: 2/22/08 at 05:16 PM
Scott Alan, Irving Berlin, Leonard Bernstein, William Finn, Adam Guettel, Andrew Lloyd Webber, Stephen Schwartz, Marc Shaiman, Stephen Sondheim, Jule Styne, Maury Yeston
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"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
Lynn Ahrens Leonard Bernstein Scott Frankel Adam Guettel John Kander Frank Loesser Stephen Sondheim Jeanine Tesori
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
How typical that the thread for composers you don’t like is three pages long, while the thread for composers you like only has a handful of responses. Hopefully it’s just because it’s a new thread and that will change, but I doubt it. Folks around here tend to dwell on the negative. Anyway here’s my list of composers I love:
Michael John LaChiusa Stephen Sondheim Maury Yeston Adam Guettel Leonard Bernstein John Kander
Those are the first ones that come to mind. Of course there are shows by other composers that I love, but those are the composers whose shows/music I always love.
Stephen Sondheim, definitely. Also Yann Tiersen, Michael Nyman, and Philip Glass (I'm into minimalism lately) Tan Dun's Ghost Opera is fantastic. And I can't get over Samuel Barber's Adaigo for strings.
So, I guess there's some specific pieces in there too... ah well.
"The art of Illusion is the art of love; and the art of love is the blood-red heart of the world." - Tony Kushner, "The Illusion"
musical_devotee, the discord between your avatar and answer slays me.
anyway, my answers... Stephen Sondheim, natch Leonard Bernstein Adam Guettel Maury Yeston Lucy Simon Scott Frankel Jeff Blumenkrantz John Kander Marvin Hamlisch
and probably some more.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Sondheim Guettel Hamlisch Menken (When he's not blah-in it up) O'Keefe (Save Legally Blonde)
Basically anyone who doesn't pick the same 3 chords over and over again and then pastes angsty lyrics over them (read: 99% of the "new" musical theatre writing being done today)
Sondhead - I wholeheartedly agree that the 3-chord structure is becomming the death of musical theatre. Thus, less predictable music like Sondheim is a welcome change and a blessing (I like your screen name, by the way)
However, as a fan of minimalism, the 3-chord structure (or basically anything semi-repetitive) can be very effective if done correctly. I'm not sure how well it works in musical theatre (not being able to think of a good example off the top of my head) but in pop music (term used broadly) it works extremely well.
Example - The Album Leaf - songs are typically a very simple theme, usually just a few chords, that builds and builds until it morphs into something else. Beautiful and heartbreaking
Another Example - the song "Is There A Ghost" by Band of Horses - it is a rock song, but the 3 chords repeated over and over (along with the same 3 lines of lyrics over and over) is somehow extremely haunting.
"The art of Illusion is the art of love; and the art of love is the blood-red heart of the world." - Tony Kushner, "The Illusion"
"Another Example - the song "Is There A Ghost" by Band of Horses - it is a rock song, but the 3 chords repeated over and over (along with the same 3 lines of lyrics over and over) is somehow extremely haunting."
These composers and teh scores listed are sourses of endless pleasure...
Victor Herbert (BABES IN TOYLAND, MLLE. MODISTE) Jerome Kern (SHOW BOAT, ROBERTA) Irving Berlin (ANNIE GET YOUR GUN, CALL ME MADAM) George Gershwin (GIRL CRAZY, PORGY AND BESS) Cole Porter (ANYTHING GOES, CAN-CAN) Richard Rodgers (CAROUSEL, NO STRINGS) Harold Arlen (ST. LOUIS WOMAN, HOUSE OF FLOWERS) Jule Styne (GYPSY, FUNNY GIRL) Fritz Loewe (BRIGADOON, MY FAIR LADY) Frank Loesser (GUYS & DOLLS, THE MOST HAPPY FELLA) Jerry Herman (MAME, MACK & MABEL) John Kander (CABARET, CHICAGO) Stephen Sondheim (A LITTLE NIGHT MUSIC, SWEENEY TODD) Stephen Flaherty (RAGTIME, A MAN OF NO IMPORTANCE)
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