Who is this guy and why is he a theatre critic? I saw Cry Baby and was about to cry myself because it was probably the biggest missed opportunity in a long time. The direction is "an example of perfect comedic timing"? How about the perfect example of high school level staging? The cast is "wonderful'? Especially Harriet Harris? Ummmm....no...? He also calls the Hairspray score not memorable. As much as I didn't like the stage version of Hairspray, I will say that the score was wonderful. Who the hell is this guy?
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.
Theatermania is negative with some cruel closing words:
If you're somehow unaware that today's Broadway producers are ravenous to adapt every movie ever made into a musical comedy, you might wonder why any clear-headed person would think John Waters' mediocre 1990 movie musical Cry-Baby had much potential to knock the Great White Way on its Tin-Pan-Alley ear. And while it turns out the reasons are many -- from the success of another Waters-based musical, Hairspray, a plotline reminiscent of another Broadway warhorse, Grease, and the presence of an Elvis Presley-like hero -- those rationales ultimately don't add up to making Cry-Baby a musical truly worth anyone's precious time. --------------- On the other hand, should their Cry-Baby meet an early demise, it's likely few tears will be shed.
Ok. Let me say this again. That is their OPINION. Let them have it. They may not have credibility in your mind, or mine, but that doesn't mean their opinion isn't worthy.
I would agree with you maya, but these are professional critics. Their so-called opinion must be very educated and well informed, and that review doesn't show that at all. And this has nothing to do with Cry-Baby but with the writing.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE
Brace yourself for a shock, gentle theatergoer. There’s no delicate way of putting this. “Cry-Baby,” the latest Broadway musical based on a John Waters movie, is ... tasteless.
When I said “tasteless,” I meant without flavor: sweet, sour, salty, putrid or otherwise. This show in search of an identity has all the saliva-stirring properties of week-old pre-chewed gum. (Not to be tasteless.)
"I would agree with you maya, but these are professional critics. Their so-called opinion must be very educated and well informed, and that review doesn't show that at all. And this has nothing to do with Cry-Baby but with the writing."
I know it doesn't have to do with Cry-Baby, but it still is their opinion, no matter how poor their format of the review is. That's all I'm saying.
Wall Street Journal lost me here: "Mark O'Donnell and Thomas Meehan, who wrote the book, also gave us "Hairspray," which I didn't like at all, partly because the score is dull and partly because the show too often lapses into inexplicably preachy period kitsch. Not so with "Cry-Baby."
Ouch from Brantley. Kind of thought he would mention Alli Mauzey, apparently not.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards