Variety is up - Mixed to Negative
"As the title character memorably told his good-girl-gone-bad sweetheart in John Waters' 1990 movie, "You got it, Allison. You got it raw." But one problem for "Cry-Baby" was that the underground trashmeister's rebel rawness was diluted into benign, kitschy satire in his attempt to follow "Hairspray" with a further step toward the mainstream. So it's perhaps not surprising that watered-down Waters has yielded a flavorless Broadway musical that revels in its down-and-dirtiness yet remains stubbornly synthetic. There's a lot of talent, sass and sweat onstage, particularly in the dance department, plus a sprinkling of wit in the show's good-natured vulgarity. But somehow, it never quite ignites."
"But without a central romance that cooks, the show's pleasures evaporate as they unfold. Javerbaum and Schlesinger angle to send the audience out on a high with the good-time closer "Nothing Bad's Ever Gonna Happen Again," but unlike "Hairspray," where "You Can't Stop the Beat" was a mandate to celebrate, we don't care enough about anyone onstage in "Cry-Baby" to share their joy."
"Inevitable as they are, the comparisons to the previous Broadway musical fashioned from a Waters film are secondary to the grab bag of elements in "Cry-Baby" that recall everything from "Grease" and "Little Shop of Horrors" to "All Shook Up" and "The Wedding Singer." Whatever its inspirations, this vanilla show lacks a fresh identity of its own."
Variety - Crybaby
Updated On: 4/24/08 at 08:34 PM