I actually think they were right on about James and Elizabeth. They just seem to be really not invested in their roles and quite frankly, not ready to handle carrying a show like this.
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
I would trust Tom from Word of Mouth to write a review for a periodical. Dude knows good theatre, is insightful, and is clearly very smart.
That said, I've never seen a Word of Mouth review that poor. Usually at least one person likes it, but these guys all didn't really enjoy it. Although the clip at the end sounded good.
Best word of mouth quotes since the Raul lip licking incident.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Wow, I actually agree with most of what the "word of mouth" reviewers said. It's so funny that the one girl was referring to Spencer Liff, but didn't mention him by name.
Hey Dottie!
Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
"As the title character memorably told his good-girl-gone-bad sweetheart in John Waters' 1990 movie, "You got it, Allison. You got it raw." But one problem for "Cry-Baby" was that the underground trashmeister's rebel rawness was diluted into benign, kitschy satire in his attempt to follow "Hairspray" with a further step toward the mainstream. So it's perhaps not surprising that watered-down Waters has yielded a flavorless Broadway musical that revels in its down-and-dirtiness yet remains stubbornly synthetic. There's a lot of talent, sass and sweat onstage, particularly in the dance department, plus a sprinkling of wit in the show's good-natured vulgarity. But somehow, it never quite ignites."
"But without a central romance that cooks, the show's pleasures evaporate as they unfold. Javerbaum and Schlesinger angle to send the audience out on a high with the good-time closer "Nothing Bad's Ever Gonna Happen Again," but unlike "Hairspray," where "You Can't Stop the Beat" was a mandate to celebrate, we don't care enough about anyone onstage in "Cry-Baby" to share their joy."
"Inevitable as they are, the comparisons to the previous Broadway musical fashioned from a Waters film are secondary to the grab bag of elements in "Cry-Baby" that recall everything from "Grease" and "Little Shop of Horrors" to "All Shook Up" and "The Wedding Singer." Whatever its inspirations, this vanilla show lacks a fresh identity of its own."
Just got home and caught up with what's been happening... Watched Word of Mouth and liked Tom's comment, "If the whole show was as good as the chorus is... it would be the best show in history." Let's hear it for the chorus!
"I'm a whirling mass of contradictions." - Douglas Carter Beane, The Little Dog Laughed
The performances are mixed. Neither James Snyder, the invulnerable newcomer who plays the title role (performed in the movie by Johnny Depp), nor Elizabeth Stanley, who plays the show’s curious good girl seduced by Mr. Blocked-Tear-Ducts in Leather, emit sufficient charisma or sexuality to hold down the leads. You don’t sense a pair of twisted, beating hearts.
An insistently cartoonish `Cry-Baby' works hard at trying to entertain
NEW YORK (AP) - Can we shed a tear for Cry-Baby, a strenuous, insistently cartoonish stage adaptation of John Waters' cinematic trash fest? Well, maybe one or two.
The laborious musical that opened Thursday at Broadway's Marquis Theatre works hard at trying to entertain, never relaxing for a moment as it tells a familiar story: the romance between a good girl and a bad boy, set against the backdrop of 1950s social mores and mortality.
No, cause at least some of the reviews were mixed.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
I have attached the Variety review from La Jolla Playhouse. Quite a contrast with the current review.
No real tears are shed in "Cry-Baby," the exuberantly witty musical adaptation of John Waters' 1990 social satire in pre-Broadway tryout at the La Jolla Playhouse. That's because the style forbids anything quite so vulnerable. Employing '50s musical-comedy conventions to skewer conventional morality then and now, tuner offers laughs aplenty, powerhouse choreography and a sizzling rockabilly-and-blues-inspired score -- but it lacks a single sentimental bone in its body. While the show is never exactly mean, it's not warm either, and it will be interesting to see how auds take to a hilarious romp that rarely stops, or stoops, to touch them where they live. Wryly ironic sensibility is derived partly from Waters but mostly from satirical newspaper the Onion and TV's "The Daily Show," on whose staffs co-songwriter David Javerbaum has been a mainstay. Structure echoes that of all those Elvis Presley musicals in which a swingin' outsider rocks Middle America; tonally, the tuner is closest to the Zucker brothers' laugh-a-minute Elvis spoof "Top Secret!"
I have never been so undecided about whether to see a show or not in my life. I will if I can get a good seat - here's hoping the premiums get released as cheaper seats by mid May.
I am glad to see some positive reviews for this show. It annoys me how so many people want to compare it to Hairspray. They are two different films so why would you not expect two different shows?
Re the two leads, is it possible that the producers would replace them? The general consensus seems to be that they aren't very good and from the sounds of things if they were replaced then maybe the show would be a lot better?