Yes, love, but I think it's not unfair for people to question a professional critic writing comments like that. The same would apply if the review was negative.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE
I see that u/s Tory Ross is listed as Hatchet-Face in Brantley's review.
Was Courtney Balan out for the press previews?
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Theatergoers have every right to express their feeling on a production. These Word of Mouth people don't pay I assume to see the show; but if you did, and were given two bad performances, you have every right to state your opinion.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Didn't Linda Winer also call GREASE the #1 Musical Of The Year?
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
So if it's a bad experience we're supposed to just shut up and not say anything?
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Wow. Getting some positive quotes from the critics is going to be a problem for this show. They will have to spend a lot to get this word out, but they're losing money already. The Brantley review will kill any Manhattan interest, and they'll be relient on tourists who would rather see a lot of other shows before this one. This feels like ALL SHOOK UP to me. Gone in July.
If they pay upwards of $100 to see the show they can.
I am also a performer, and while a comment like that would bother me, people have opinions, deal.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
They didn't demean them. Demeaning them would be saying something like, "they're fat" or "they're unattractive" (neither of which applies, which I chose them).
They disliked their performances and criticized the performances, not the people. They explained why they didn't like them, just as most adults would.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
"A production on Broadway is on Broadway for a reason."
That's exactly what the producers of Hazel Flagg, Carnival in Flanders, Carrie, Mail, In My Life, Raggedy Ann, A Doll's Life, Good Vibrations, Lennon, Lestat, Dance of the Vampires, The Yearling, Moose Murders, Benjamin Franklin in Paris, Dear World, Henry Sweet Henry, Coco, Rockabye Hamlet, A Broadway Musical, and Primate all said.
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.
Yikes for Alli Mauzey. As IBF pointed out above – no mention from Brantley AT ALL. Like her performance or hate it, it stands out so arrestingly in the show that I find it hard to believe he found her unremarkable. Do you think he disliked her performance and sees her as being 'of a piece' with the rest of the show or liked her but didn't want to muddy a negative review with positive caveats? He also curiously avoids any comment on the quality of Hanke's performance – not even a single adjective.
As an enjoyer of theatre reviews, I wonder what his thought process was. Any ideas or conjecture?