DEATH OF A SALESMAN 2026 Reviews - Page 2

[MemorableUserName]

Posted: 4/10/26 at 4:09pm

east side story said: "I wondered how long it would take before someone said the “T” word, which is more applicable to the folks bemoaning Rudin’s continued success. Have a great weekend, though!"

You've spent today mocking people in two different threads for having principles. Who knew that not wanting one's money to support a bad person was worthy of such derision? Or is it simply the fact that they're saying so?

[John Adams]

Posted: 4/10/26 at 7:43pm

Although I completely agree with his conviction not to support Rudin, I'm not on board with this statement from Peterson's article: "Let me be clear. This is not about Arthur Miller or Nathan Lane or Laurie Metcalf. It is not even really about the production itself, which I am sure is being performed at an incredibly high level."

Let's assume there are people involved with the production who have, or have had awareness of Rudin's behavior as cited in Peterson's article. If that's the case, then those people are all equally complicit in turning a blind eye for the sake of achieving their own goals of being in, or mounting this production. Peterson acknowledges this notion when he writes: "It feels like the Broadway community was simply waiting for permission to move on and get back to business." 

IMO. it's hypocritical that Peterson is willing and able to give a pass to those who are complicit by making their choice to ignore the unacceptable behavior.

I also question the maturity of his decision to “Not Support ‘Death of a Salesman’”.  That’s not just a “title” he won’t support.  That’s an entire cast and crew. And a director. And both FOH and BOH. And probably more that I’m not familiar enough to be able to also name. 

You, Mr Peterson, would sacrifice all of them by withdrawing your support as penance for the sins of one, singular (albeit, really bad) man? And let’s not forget you just wrote them a free pass from blame - but you are “Not Supporting ‘Death of a Salesman’”

Isn’t that just how things go, now. Bad people do really bad things that they are not held accountable for. Oh, dear. So nu/new. For Heaven’s sake, support the show. 

You REALLY want to protest? Find an effective way to get Rudin un-recognized (financially, award, etc. - however you want - socially unrecognized) should the show be nominated for The Tonys. Ignore him. Complete radio silence. Cancel culture , if regulated, is effective.

The man has essentially been cancelled for the past 3 years (from what I read, here).  Now he's "making a comeback". Why work so hard at doing “nothing” (because not supporting is [literally] doing nothing). Find a better way to actually do something that will accomplish a goal. 

If Peterson’s article (or he himself for that matter) had any backbone, it would find a better solution than to (both literally and publicly) proclaim it will do nothing. 

Still, I agree re: his reasons for choosing not to support. I just think his methodology for solving the issue is a really, and stupidly bad choice to make.

Updated On: 4/10/26 at 07:43 PM

[EDSOSLO858]

Posted: 4/10/26 at 8:57pm

I've been on a euphoric high from last night pretty much all day. I've attended a small handful of Broadway opening nights before, but this one felt special. 

I locked eyes with several stage folk in attendance: Andrea Martin, Marc Shaiman, Brooks Ashmanskas, Kimberly Grigsby, NPH and David Burtka, Ashley Loren, Matt Doyle, Chase Del Rey. My seat was in a row in between Ben Brantley and Lola Tung's sections. (Both of them super sweet, by the way.)

I didn't see him, but I was told Diller was also there. Rudin never attends his own openings.

The show itself was very good, the second act taking it over the top. That final half-hour in particular, once Biff turns on his father when he finds out about the affair, wow. A great first viewing exposure to this classic.

A curiously subdued curtain call, with no flowers, creative team, or speeches. 

The afterparty was held at Katz's Delicatessen, with a DJ spinning some instrumental tunes, and servers offering pass-arounds of pigs-in-a-blanket, knishes, and potato pancakes. Folx were ordering sandwiches from the counter lines too. Mini black-and-whites and rugelach for dessert.

Joaquin Consuelos told me he loved my outfit. Speaking to Kelly and Mark, they're insanely proud of him and what he's done so far. Joe Mantello's a humble man, too.

Nathan and Laurie spent some of their time at the back of the restaurant. I was worried they'd be a little stuck-up considering how famous they are, but they were quite kind to me when I came their way and commended their performances. I saw the latter taking a pastrami sandwich in a cup to go as she left the venue and stepped in a Cadillac. 

Great, great night. 

 

 

"When we die, we go bye bye." - Abe Lincolns

Updated On: 4/10/26 at 08:57 PM

[MemorableUserName]

Posted: 4/10/26 at 11:54pm

Anyone see Jack Falahee's Happy debut tonight?

[thinchalkline]

Posted: 4/13/26 at 6:57am

I think they can reward the acting performances and even direction at the Tony's, but snub Rudin by giving the Best Play (which the Producers accept) to Oedipus.  I think that would be a just outcome for all concerned.

[thinchalkline]

Posted: 4/13/26 at 6:57am

I'm just appalled by Robert Hofler's constipated review.  The thoughtfully directed performances kept my attention riveted and built the rising action masterfully. His grouchy nit-picking review completely missed the mark. A case of pearls before swine.

[decotodd]

Posted: 4/14/26 at 5:13pm

Hi gang! I'm going to be in NYC for just a couple of days and only a few slots. I already committed to seeing FALLEN ANGELS because my husband wants to see it, but is it feasible to try and catch act 2 of DEATH OF A SALESMAN since FALLEN is only 90 min. no intermission?  Obviously that doesn't do the full play justice, but I could at least see some of it and doubt I'll be back in the city before it ends. I'll probably spring for a ticket if so, rather than gambling on a same day discount. 

[east side story]

Posted: 4/14/26 at 6:24pm

With all due respect to the artists involved, you should skip Angels and see the entirety of Salesman. You won’t be sorry, but your husband may not be too happy at first. He’ll survive. This production should not be missed.

[east side story]

Posted: 4/14/26 at 7:55pm

east side story said: "With all due respect to the artists involved, you should skip Angels and see the entirety of Salesman. You won’t be sorry, but your husband may not be too happy at first. He’ll survive. This production should not be missed."

Oh, and sell your Fallen Angels tickets on the Theatr app. They won’t go to waste.

[Musigamist]

Posted: 4/14/26 at 8:29pm

decotodd said: "Hi gang! I'm going to be in NYC for just a couple of days and only a few slots. I already committed to seeing FALLEN ANGELS because my husband wants to see it, but is it feasible to try and catch act 2 of DEATH OF A SALESMAN since FALLEN is only 90 min. no intermission? Obviously that doesn't do the full play justice, but I could at least see some of it and doubt I'll be back in the city before it ends. I'll probably spring for a ticket if so, rather than gambling on a same day discount."


Split up for the evening and each see your preferred show? Your husband can go shopping for you while he waits

Updated On: 4/14/26 at 08:29 PM

[jimmycurry01]

Posted: 4/14/26 at 9:31pm

decotodd said: "Hi gang! I'm going to be in NYC for just a couple of days and only a few slots. I already committed to seeing FALLEN ANGELS because my husband wants to see it, but is it feasible to try and catch act 2 of DEATH OF A SALESMAN since FALLEN is only 90 min. no intermission? Obviously that doesn't do the full play justice, but I could at least see some of it and doubt I'll be back in the city before it ends. I'll probably spring for a ticket if so, rather than gambling on a same day discount."

This is one of the best productions I have ever seen. It's not something you should miss, and it deserves more than just a second act watch. With that said, if that's really all you can manage, the second act is thrilling. See what you can. 

[carolinaguy]

Posted: 4/15/26 at 9:01am

It appears the show is moving to a 7-show week. A couple of online reports have indicated people are receiving performance cancellation messages for Tuesdays in May. The Telecharge schedule shows some May Tuesdays and nearly all June and July Tuesdays will be dark in addition to Mondays. Was this always the schedule, or is eight shows a week of this material proving too much for the cast to handle?

Just remembering you've had an "and" When you're back to "or" Makes the "or" mean more than it did before

[jimmycurry01]

Posted: 4/15/26 at 9:04am

carolinaguy said: "It appears the show is moving to a 7-show week. A couple of online reports have indicated people are receiving performance cancellation messages for Tuesdays in May. The Telecharge schedule shows some May Tuesdays and nearly all June and July Tuesdays will be dark in addition to Mondays. Was this always the schedule, or is eight shows a week of this material proving too much for the cast to handle?"

Nathan Lane all but warned us this was coming when he was on Colbert. This show is a beast for its lead. The physical and emotional toll is rough.

[UWS10023]

Posted: 4/19/26 at 4:17am

I saw the production Saturday evening the 18th of April and thought it was splendid. Jack Falahee was signing playbills at the stage door. I know he was scheduled for Happy during the matinee but does anyone know if he also did the evening performance? I was sitting in the back of the orchestra so I assumed I was watching Ben Ahlers and there was no mention of an understudy performance in the playbill. In retrospect I think I saw Jack. Maybe there was a notice in the lobby and I missed it.

 

 

 

 

 

 

[John Adams]

Posted: 4/19/26 at 6:59am

thinchalkline said: "I think they can reward the acting performances and even direction at the Tony's, but snub Rudin by giving the Best Play (which the Producers accept) to Oedipus.I think that would be a just outcome for all concerned."

I disagree. Giving "Best Play" to Oedipus (if Death of A Salesman is determined to be most deserving) doesn't snub only Rudin. It would be a snub to the entire production.

If the goal is to snub Rudin, my suggestion would be to follow the lead the Oscars took with Will Smith. Ban his attendance and/or possibly even his singular receipt of the award.

Updated On: 4/19/26 at 06:59 AM

[everythingtaboo]

Posted: 4/20/26 at 8:50pm

Nathan will be on Howard Stern tomorrow morning (Tue 4/21).

"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008

[MemorableUserName]

Posted: 4/20/26 at 9:07pm

UWS10023 said: "I saw the production Saturday evening the 18th of April and thought it was splendid. Jack Falahee was signing playbills at the stage door. I know he was scheduled for Happy during the matinee but does anyone know if he also did the evening performance? I was sitting in the back of the orchestra so I assumed I was watching Ben Ahlers and there was no mention of an understudy performancein the playbill. In retrospect I think I saw Jack. Maybe there was a notice in the lobby and I missed it."

Death of a Salesman does the online/QR code understudy notice, no slip. Falahee was indeed in for both shows Saturday.

https://atthisplaybill.com/Death-of-a-Salesman

 

 

[ElephantLoveMedley]

Posted: 4/21/26 at 10:05pm

This production is one of the finest pieces of theatre I've ever experienced. 

I feel genuinely privileged to have been able to see this.

Wow. Just wow.

[MadsonMelo]

Posted: 4/22/26 at 1:34am

Has anyone rushed this? Where are the seats located?

[THDavis]

Posted: 5/9/26 at 8:04am

I saw this play last night - my first time experiencing Desth of a Salesman at all. WOWZA! The piece seems to certainly hold up (although it’s not my favorite play), but the production and this cast were truly exceptional all around. 
 

Laurie Metcalfe: what a privilege to get an opportunity to see her live for my first time. I hope everyone gets a chance to watch her perform live someday. 
 

 

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In one scene, a grave appears downstage. From the rear mezz, I couldn’t see this until later in the scene. How did this make an appearance? Was it a mound of dirt downstage that slowly emptied as the trap is lowered? It was a beautiful visual but I couldn’t see it until later in the scene.

 

[MasterThespian 2]

Posted: 5/9/26 at 9:32am

Seeing this tonight. Can’t wait. It’s funny, I bought these tix ages ago. I was way more excited for Dog Day and Fear of 13 when they were announced, but ended up selling my seats for both. Guess you never know. 

[bwayphreak234]

Posted: 5/9/26 at 5:50pm

I went into Death of a Salesman completely blind this afternoon. I had never read the play or seen a production before. Discovering this masterpiece for the first time ended up being one of my personal highlights of this Broadway season.

The performances are absolutely extraordinary. The acting is deeply moving, raw, and devastating. Nathan Lane and Laurie Metcalfe once again prove why they are two of the finest stage actors working today. Christopher Abbott and Ben Ahlers share terrific chemistry as the brothers, bringing warmth and authenticity to their scenes together. I was completely drawn into the Loman family’s world, and for three hours these characters had me utterly captivated and heartbroken. 

The physical production itself is equally striking. The sparse, minimalist set leaves the cavernous Winter Garden Theatre stage completely exposed, while the lighting design is gorgeous, eerie, and perfectly moody throughout.

This is one of those productions that will forever be seared into my memory.

"There’s nothing quite like the power and the passion of Broadway music. "

[halfhourcheckwithmerman]

Posted: 5/9/26 at 7:22pm

I saw this a week ago and it was my favorite production of the play I've ever seen, and I've seen many. 

Surprised nobody's mentioned this profile of Laurie Metcalf by Michael Schulman yet. As is Schulman's wont, he "goes there," asking about Rudin. (And, as is also Schulman's wont, he loves to psychoanalyze his subjects a bit and overreach, but ah, well. He gave us the infamous Patti piece, and the infamous Jeremy Strong piece, and now he's given us this.) 

"I feel safe with you, and complete with you / I'm always finding money in the street with you." -Sheldon Harnick

[MasterThespian 2]

Posted: 5/10/26 at 5:53am

Wow. What a production. Need to echo what so many others have said. The performances are top notch…that goes for the entire cast. It’s rare when everyone is so good. No weak links. So emotional too. Could hear someone behind us softly crying towards the end. Also, many intense, dramatic moments where you could hear a pin drop. Staging, though sparse, was perfect. Fantastic lighting. Bravo!

Updated On: 5/10/26 at 05:53 AM

[Huss417]

Posted: 5/10/26 at 11:54am

Has there been any word on another extension or do we think August 9th the absolute final performance?

"I hope your Fanny is bigger than my Peter." Mary Martin to Ezio Pinza opening night of Fanny.