I wish them the best, but I will not be seeing it, because of the "standing room" horror story (and similar events) that was posted here a week or two ago. If things and behavior calm down, then I may see it.
I also loved this one, but I'm expecting the reviews to be mixed. The show really divided everyone here on the boards who saw it, and I expect the politics surrounding it could also play a part in tonight's proceedings.
"I also loved this one, but I'm expecting the reviews to be mixed. The show really divided everyone here on the boards who saw it, and I expect the politics surrounding it could also play a part in tonight's proceedings. "
I just think that it will all be pans. I just have this feeling
I'm curious to see whether any of the reviews find the show to have emotional complexity. The Boston reviews didn't -- and some of those really liked it.
I mean the AP is more mixed-negative but he does say the performances and the choreography are good.
I'm surprised he thought All That Matters was one of the weaker numbers.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
I have question about timing of reviews. I had thought they were meant to come out after the opening night performance ends, with the premise being that the show they're judging in the review is the opening night performance, not a preview. But a few of these are out while tonight's show is still playing. Is that common? ETA: Do I have the premise wrong?
Shows now designate the several final preview performances prior to opening as performances that critics attend- press previews. No reviews are written on opening night anymore.
It's not unlike movies, books, music, or video games being given to critics to review prior to their release dates.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Finding Neverland flies. Occasionally it even soars. The miracle is that the darned thing not only got off the ground, but that this musical prequel to the Peter Pan story arrives on Broadway much improved after a storied, bumpy tour of the hinterlands, with its intermittent charms intact, many of its missteps gone or at least minimized...the script, by James Graham, has been sharpened so as not to treat the audience too much like idiots...Perhaps Weinstein and Paulus were correct in replacing Jordan with the better-known Morrison, who has the look and voice of a Broadway star but is something of a stiff. The role wants a mood transplant, a child-like quality to which Jordan was more suited. Grammer, on the other hand, is an indisputable improvement...As Hook, he's just a ton of fun...sashaying around the stage, brandishing his hook and bullying J.M...As to the score by pop writers Gary Barlow and Eliot Kennedy, well it doesn't offend, but I was still impervious to its desperate attempts to win me over...Finding Neverland is still too treacly...and the tear-wringing ending just goes on forever...But there's an audience for this show, which is visually cunning and something of a warm bath without being too insulting.
Don't be surprised if ya see that first line as a pull-quote.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."