I love Wicked, and really like Guys and Dolls, thank you very much.
I don't even think it's taste as much as it is...the pattern of musicals. Most people in this age have grown up in a completely different time--where spectacles come first, and actors are secondary. the belting like-music seems like Broadway and soprano-singing sounds boring.
I'll honestly say I prefer hearing belting to soprano. Then again, the first showtunes I ever heard was Liza Minelli singing Cabaret songs...
I agree, to ignore the influence and dismiss classic musicals is wrong. But I don't blame those who don't *like* them. I mean, I really dislike the Music Man. Sure, the way the melodies intersect is incredibly intelligent, but it's all...too happy for me.
But...I don't think the blame can be entirely on the individuals. Broadway itself and others don't make enough effort to educate new theatregoers on the past shows. When new musicals are so different than they once were, people just don't have a taste for it.
I mean, every so often it drives me crazy too--people calling Brooklyn the best show ever. But I won't get mad if Brooklyn is someone's favorite show. Or if someone says the score for West Side Story is boring...I mean, what??
I just think we'd be a lot better off if people made this distinctions about their favorites/taste, not in terms of good/bad.
"If there was a Mount Rushmore for Broadway scores, "West Side Story" would be front and center. It snaps, it crackles it pops! It surges with a roar, its energy and sheer life undiminished by the years" - NYPost reviewer Elisabeth Vincentelli