#1
Posted: 9/26/08 at 3:15pm
I'd like to preface by saying that I *hate* the Broadway production of RENT. The show itself is OK, there are certain numbers that I would cut, but otherwise, I hated seeing it live, tolerated the feature film, and mildly enjoyed the filmed version of the Broadway show.
As everyone probably knows, I am a strong advocate for filming theatre and preserving shows on film for commercial release, especially DVD.
Artistically, I am against it as I feel that theatre should be seen LIVE as that is the intention of the format (plus it's BETTER that way!).
Educationally and socially, it's extremely important for this to happen as a large percentage of people cannot see shows live due to whatever reasons they have (financial, schedule, etc.).
In my opinion, it is better to see it on film than it is to not see it at all.
This past Wednesday, for the first time in history (I believe), a Broadway show has been filmed and was released in movie theatres across the country. That show was RENT -- a show which played Broadway for 12 years and has arguably the largest fanbase that a musical has ever had.
You can share your thoughts on other threads as to what you thought of the film, but I'm more interested in the part that happens before you see it: purchasing the tickets.
Tickets to the film were $20. A price, I think, is fair. Fair in terms of seeing a Broadway production (which you could also see LIVE for that price, but Joe Schmoe doesn't know that).
When I arrived to the theatre an hour prior to showtime, I was the first one there. By the time the nine long-ass previews ended, I counted 46 people in the theatre. I've read even lower numbers in other cities (I saw it in Greensboro, NC).
I honestly thought that a show like RENT would succeed MUCH better in this format. I honestly thought that there would be about 200 in attendance. How wrong and disappointed I was.
There could be many factors which attribute to the low attendance:
- High movie ticket price;
- A show which has toured for YEARS and is already a feature film;
- Opening on a Wednesday;
- Minimal publicity/marketing;
- Waiting to spend their $20 on an assumed DVD release
But the question I ask is how many people knew about this release and just simply didn't care to go see it? I'm sure the weekend attendance will be higher, but sold out showings? Doubtful.
If a show like RENT receives these pitiful numbers, then you can forget about anything else being filmed (except by PBS).
Now, I'm not too worried about the format disappearing for good. I think the main issue with RENT's low numbers comes from lack of publicity. NONE of my local theatre friends knew it was coming to theatres. I only found out because of BWW/Playbill.com (websites they don't visit). We have four local movie theatres and I only ever go to two -- RENT was playing at the last movie theatre in the city that I would ever go to -- but I did see a movie poster there when I attended the screening.
If Sony would have marketed it like a regular movie, do you think showings would have sold out? I certainly do. I think they should have marketed it like a MUST-SEE EVENT. After all, this was a pretty rare and special occasion.
I think we need to get this format going. Let's simulcast - LIVE - the opening night of SHREK. (They have done this with operas that have performed at the Met). Let's have Universal create a copycat subcomp like Sony's The Hot Ticket and release WICKED. Drastic action like this would be so beneficial to the genre. It would, I think, create a DEMAND for shows to be filmed. Then what we can have happen is when a show announces it's closing, bring in the cameras and record it for release! This way, the film doesn't interfere with the show's box office and the show gets some money even after it has closed.
Excuse my long rant, I have so much to say and rarely have time to be online anymore.
Thoughts on any of this?
As everyone probably knows, I am a strong advocate for filming theatre and preserving shows on film for commercial release, especially DVD.
Artistically, I am against it as I feel that theatre should be seen LIVE as that is the intention of the format (plus it's BETTER that way!).
Educationally and socially, it's extremely important for this to happen as a large percentage of people cannot see shows live due to whatever reasons they have (financial, schedule, etc.).
In my opinion, it is better to see it on film than it is to not see it at all.
This past Wednesday, for the first time in history (I believe), a Broadway show has been filmed and was released in movie theatres across the country. That show was RENT -- a show which played Broadway for 12 years and has arguably the largest fanbase that a musical has ever had.
You can share your thoughts on other threads as to what you thought of the film, but I'm more interested in the part that happens before you see it: purchasing the tickets.
Tickets to the film were $20. A price, I think, is fair. Fair in terms of seeing a Broadway production (which you could also see LIVE for that price, but Joe Schmoe doesn't know that).
When I arrived to the theatre an hour prior to showtime, I was the first one there. By the time the nine long-ass previews ended, I counted 46 people in the theatre. I've read even lower numbers in other cities (I saw it in Greensboro, NC).
I honestly thought that a show like RENT would succeed MUCH better in this format. I honestly thought that there would be about 200 in attendance. How wrong and disappointed I was.
There could be many factors which attribute to the low attendance:
- High movie ticket price;
- A show which has toured for YEARS and is already a feature film;
- Opening on a Wednesday;
- Minimal publicity/marketing;
- Waiting to spend their $20 on an assumed DVD release
But the question I ask is how many people knew about this release and just simply didn't care to go see it? I'm sure the weekend attendance will be higher, but sold out showings? Doubtful.
If a show like RENT receives these pitiful numbers, then you can forget about anything else being filmed (except by PBS).
Now, I'm not too worried about the format disappearing for good. I think the main issue with RENT's low numbers comes from lack of publicity. NONE of my local theatre friends knew it was coming to theatres. I only found out because of BWW/Playbill.com (websites they don't visit). We have four local movie theatres and I only ever go to two -- RENT was playing at the last movie theatre in the city that I would ever go to -- but I did see a movie poster there when I attended the screening.
If Sony would have marketed it like a regular movie, do you think showings would have sold out? I certainly do. I think they should have marketed it like a MUST-SEE EVENT. After all, this was a pretty rare and special occasion.
I think we need to get this format going. Let's simulcast - LIVE - the opening night of SHREK. (They have done this with operas that have performed at the Met). Let's have Universal create a copycat subcomp like Sony's The Hot Ticket and release WICKED. Drastic action like this would be so beneficial to the genre. It would, I think, create a DEMAND for shows to be filmed. Then what we can have happen is when a show announces it's closing, bring in the cameras and record it for release! This way, the film doesn't interfere with the show's box office and the show gets some money even after it has closed.
Excuse my long rant, I have so much to say and rarely have time to be online anymore.
Thoughts on any of this?
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
--Aristotle