Vulture: Holdren is mixed to positive (or positive to mixed)
This I Believe: George Clooney in Good Night, and Good Luck
He brings Edward R. Murrow to Broadway with righteousness intact
"There is, however, an ebb and flow to witnessing Good Night, and Good Luck on stage, as the potency of its content only intermittently melds with the capacities of its form. The play has a beautiful opening, in which a singer played by Georgia Heers appears in a hazy cone of half-light behind a golden curtain. Statuesque in emerald green, she sings “When I Fall in Love,” backed by a jazz band that nestles into the set’s upper level and functions as in-studio musicians for CBS. Heers’s voice is velvet, and Cromer’s stage picture yearns and glows. As Clooney advances in silhouette in front of the curtain to speak to us for the first time “about what is happening in our mass media,” the perfume of the era’s dissonance suffuses the space: the glamor and what it masks, the romantic melody and the bassline of greed, bigotry, and cruelty thudding away underneath.
It’s quite a beginning, but then that curtain rises, and as lovingly detailed as Pask’s newsroom set is, Cromer has to enliven a still highly cinematic script in a wide-open theatrical space; the result is that Good Night almost immediately starts to diffuse. "
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"It’s a relatively easy thing for the mega-famous to walk onto a Broadway stage; what they choose to invest themselves in while they’re there is its own question. With Good Night, and Good Luck, Clooney and his collaborators give a dignified and resonant answer."