My philosophy when I go to New York City is to see things, when possible, that could never be replicated on tour, or in a local production. Here Lies Love succeeded on that level, and had the added bonus for us of $35 rush tickets to see the full cast. I didn't think the musical totally succeeded in what it set out to do, but at least it was an ambitious effort that addressed serious issues with top-notch direction, set design and performances. Even what I thought were its failures were worth discussing. My wife and I had a good time, and the musical certainly felt like an event while we experienced it.
I never thought the show would be a financial success. There were too many strikes against it, a "new" musical without stars (except for Lea Salonga, who was gone by the time we saw it in late August) that many locals had already seen a decade before and that wasn't likely to appeal to many tourists given the subject matter - and, let's be honest, the all-Filipino cast. Even Hamilton had King George to make white audiences comfortable. Here Lies Love wasn't a "safe" night at the theater. You needed to dance a bit, even in the mezzanine. Even the choice of where to sit, or stand, was a bit daunting.
But I would rather see imperfect, interesting and entertaining musicals that try something different - so I wish it had done better.