WOW. Just got back from seeing it tonight. We had first seen the OBC in the NY production a couple of weeks after opening on Labor Day weekend 2015. We were blown away. Since the OBCR had not been released, we went in cold. This time, I went in very familiar with the score and with strong memories of the original Broadway production.
Still astonished. Every aspect of the work and the production is masterful. The dizzying choreography and staging, the way each number was brilliantly visualized and presented and the score is so varied and structured perfectly. Instead of focusing on following the story or lyrics, in the moments when I wasn't being wowed by the performances, I kept on being reminded at how GOOD it all was.
And speaking of performances, I was expecting to be riveted by Joshua Henry as Burr and Michael Luwoye as Hamilton - and I was indeed! Enough of the silly discussion of Emily Raver-Lampman's hairstyle. It fit as well as anything and was as fierce as the character! I had also heard reports from the first performances that Isaiah Johnson was finding the Washington character. Well he found him. Totally compelling and commanding. (I had a few issues with Jordan Dominica's Jefferson, but there's only one Daveed Diggs). A solid, talented cast. And it was rewarding to see such skilled, yet different performances - and reassuring to see direction that encourages it.
I'm reminded of breakfast one morning at a diner at the Russian River. A smartass at our table asked the grizzled waitress (who in my memory I see with a cigarette hanging from her lips, although that's unlikely) - what made their pancakes "world famous" as claimed on the menu.
"Because they're that f***ing good" she drawled in reply. Why has Hamilton had such acclaim? Because it's that f***ing good!
Updated On: 4/14/17 at 04:15 AM