The witch loved Rapunzel so she...blinded her lover, hacked off her hair and exiled her to a lifetime of solitude in the middle of a snake-infested swamp? That means genuine love?
That's not genuine motherly love to me. That's possessiveness, vengeance, and "I'll show you who's in charge." Kind of a warped idea of love, I'd say. No wonder Rapunzel ran off!!
Mothers who genuinely love their children acknowledge when they become adults and encourage them to find stable, healthy relationships. Obviously the witch was never going to do that, and Rapunzel knew that as well. Hence the "I never want to see you again, ever!" If my mother stuck long painful thorns into my boyfriend's eyes, I'd be pretty ticked too.
You're right about the witch having no one to love, though. That's the problem - she thought possessiveness = love, and when her 'daughter' refused to be possessed, she lost it. That's why she blows a gasket; she can't reconcile that she was wrong in the way she raised her 'daughter', by shutting her away and refusing to give her freedom.
Updated On: 1/14/15 at 09:58 PM
No matter how warped...I still think the Witch genuinely loved Rapunzel...at least Streep's portrayal did. She did what she thought was best to protect her. Sure, she wanted her for herself. I didn't say it was perfect typcial love---The Witch had a very warped and twisted way of showing love, but I don't think it was just "possesive"---when I hear that, I think of "Mother Gothel" from Tangled.
UPDATE: The Witch *thought* she was just doing what was right "I was just trying to be a good mother", and I think that is evidence that the Witch did love her---but the Witch took it too far, deeming her a possessive mother. I think the Witch (again Streep's portrayal) really does fear for Rapunzel's safety in the world, and takes extra measures to shield her from it (minus the whole "PUNISH U 2 SWAMP" lol). In the play, the Witch is the sane one, while Rapunzel is crazy...in the movie the role seems reversed. The Witch can't let go of Rapunzel--she loves her and NEEDS to do EVERYTHING she can to protect her. Which, can be, I guess, a demonstration of possessiveness.
The difference between the Witch and Mother Gothel is that the Witch actually LOVED Rapunzel whereas Mother Gothel loved what Rapunzel GAVE HER (which was the magic in her hair). I never felt really that Gothel even cared much for Rapunzel, even after being her "mother" for so long.
I found the scene when the Witch says she has brought Rapunzel's 'favourite' berries to her a bit heartbreaking, given I knew what would happen. Streep's Witch loved Rapunzel so much I almost got the impression that the only reason she wanted to 'reverse the curse' was to strengthen her relationship with Rapunzel. Maybe that's an obvious thing to say, but I never felt it so strongly until this film.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Well, it's not like the witch had a really great role model on how to be a mother. Look what her own mother did to her. That's probably where she got the idea that if you love your children, you have to inflict horrible punishments on them to keep them in line for their own "protection".
Yeah it's not much of a surprise considering there was little to no buzz about the film. They threw 'em a bone by nominating Meryl, but I would've preferred to see Emily Blunt nominated.
"You drank a charm to kill John Proctor's wife! You drank a charm to kill Goody Proctor!" - Betty Parris to Abigail Williams in Arthur Miller's The Crucible
i was hoping for a best sound mixing oscar nom as well as BEST PIC...but some little flic named WHIPLASH which has only made $6 million got that 8th nom...****!
its not the total amount of money a film makes...it's that a film like WHIPLASH was rejected by the movie going public and INTO THE WOODS was embraced...the only people who wanted to see WHIPLASH were Academy voters who were sent screeners...
I take it you haven't seen Whiplash. It's a great film. Much better than ITW in my opinion. A film doesn't have to be a box office hit to make it in with the academy obviously. Besides, whiplash had a limited release and was more of an art house film. It's pretty dumb to bash a film you haven't seen. Whiplash received much more praise by critics and audiences than ITW . I
Was "Whiplash" really "rejected" by the movie going public, or did it just not get much exposure?
It seems to be very well liked by those who have seen it - based on its IMDb & RT scores, etc. I personally thought it was pretty great (and intense!) - and no, I'm not a member of the academy.
An independent or foreign film, no matter how good, has very little chance of ever making a ton of money. My favorite film of 2014, "The Tale of the Princess Kaguya," hasn't even made $1 million in the US so far. Give "Whiplash" a $50 million advertising campaign and a major release in 3000 theaters and I can pretty much guarantee it would have made a lot more than $6 million.
Anyways, it's nice to see a (relatively) small film like "Whiplash" among the bigger pictures.
I was not really holding my breath for Best Picture nom
But Emily Blunt.
That is an absolute snub.
She was fantastic start to finish. My only thought is because Into the Woods is such an ensemble piece she didn't stand out to them as the literal lead.
The nominations didn't surprise me. ITW was not as overall amazing as 'Chicago', and the Academy tends to not favor fantasy/musical films, so ITW would have probably had to be BETTER than 'Chicago' just to get nominated.
But hey, at least we aren't the 'Hobbit' fandom. After "Return of the King" swept the 2004 Oscars including "Best Picture" I think some people had high hopes for "The Battle of the Five Armies", since it was really Peter Jackson's last chance at getting any awards.
But BoFA got exactly one nomination, a technical one for sound editing I think, and it's not favored to win. That has to be a huge disappointment.
I do feel bad for whoever is in charge of the Oscar telecast, though. The nominations are mostly pretty boring, and none of the BP noms have a huge or passionate fan base. It's going to be hard to get people to tune in this year.
its not the total amount of money a film makes...it's that a film like WHIPLASH was rejected by the movie going public and INTO THE WOODS was embraced...
Well by that logic Guardians of The Galaxy, and Mockingjay Part 1 should've been nominated before Into The Woods, since both were 'embraced' by the public more than ITW.
And Whiplash was a fantastic film btw and deserved every nomination it got.
"You drank a charm to kill John Proctor's wife! You drank a charm to kill Goody Proctor!" - Betty Parris to Abigail Williams in Arthur Miller's The Crucible
The average moviegoer (where films get a mass majority of their revenue from) cannot recall a Best Picture winner over the popular films of that year. Meaning...best picture is only a title, not something that staples it to people's memories. Making it a hollow win.
1987. Remember the winner of Best Picture? It was Platoon. Know what that films about outside of it being about war? Remember the last time you saw it? Was it recently? Do you know anyone that gets excited when you mention that film?
1987 was also the year The Princess Bride came out. It didn't do so well...but it is the film that has sustained and grown in popularity. It is beloved and wasn't even nominated.
Whiplash didn't get much exposure but it wasn't rejected by the public at all. It got raves at all the film festivals and it's going to win best supporting actor. I'm hoping they might re release it to a wider audience now that it has several Oscar nominations to its name. It's a thrilling film. The thing with into the woods is, it never got enough love or support from critics and Hollywood . No one was foaming at the mouth for this film and therefor didn't get any traction to warrant any award talk. If anyone is really surprised that it didn't do better with the academy then they haven't been paying attention or are just blind.
Yeah, that was one of the most moronic comments ever written on BWW. Whiplash is an absolutely fantastic movie with a limited release; mostly in art houses and the like. It deserves every single accolade it gets and was well-beloved by the critics. It's a great movie. You cannot compare it to a big budget fantasy flick like INTO THE WOODS. Comparing apples and oranges.