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Jaws-themed musical BRUCE (Robert Taylor and Richard Oberacker)

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#1

Jaws-themed musical BRUCE (Robert Taylor and Richard Oberacker)

There was a private writing workshop in Seattle recently for this show by the BANDSTAND creators. The subject matter isn't something that would naturally leap to my mind for a musical adaptation... but maybe that's a good thing? Points for originality, anyway. I wonder if it'll have a further life. (And if they'll be allowed to incorporate the 'Jaws' film score theme somewhere, heh.)

https://www.seattlerep.org/newplay/the-other-season/current/writing-workshop

"In 1974, a 26-year-old virtually unknown director set out to film the number one best-selling novel of the day. Invading a sleepy fishing island off Cape Cod to shoot on the open ocean, he battled weather, water, hostile locals, an exploding budget, endless delays, and a mechanical star named Bruce that simply refused to work. Out of all this chaos, the world was given its first ever summer blockbuster and the career of Steven Spielberg."

#2

Jaws-themed musical BRUCE (Robert Taylor and Richard Oberacker)

When I read the headline, I thought they were making a musical based on the film itself. I thought "Did we learn nothing from King Kong?". This does sound interesting. I love the music from Bandstand, so I'd love to see what the writers do with a 70s-themed score.

#4

Jaws-themed musical BRUCE (Robert Taylor and Richard Oberacker)

Is Bruce supposed to be a reference to the shark in Finding Nemo?
My father (AIDS) My sister (AIDS) My uncle and my cousin and her best friend (AIDS, AIDS, AIDS) The gays and the straights And the white and the spades
#6

Jaws-themed musical BRUCE (Robert Taylor and Richard Oberacker)

To which the writers of Nemo were paying homage when they named their character.

But to the musical itself....WHAT? I know this film AND its history inside out (I teach an actual film course) and while there are great tidbits there, I cant fathom any real cohesive story.

Now musicals are going to be "how movies are made" instead of bio musicals? What do we call them...'docu-musicals'?
If we're not having fun, then why are we doing it? These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
#7

Jaws-themed musical BRUCE (Robert Taylor and Richard Oberacker)

dramamama611 said: "Now musicals are going to be "how movies are made" instead of bio musicals? What do we call them...'docu-musicals'?"

I think it’s a far more interesting idea than Jaws The Musical which is what they could have done.

#9

Jaws-themed musical BRUCE (Robert Taylor and Richard Oberacker)

This project first got on my radar (...sonar?) due to the below article from April, which calls the show a musical. Of course, it's possible that the article is incorrect on that point, or that the creators have gone in a different direction. Incidentally, according to this article the original film's 'Bruce' was named after Steven Spielberg's lawyer, Bruce Ramer.

https://www.reviewjournal.com/entertainment/entertainment-columns/kats/mark-ronson-opens-nomads-summer-pool-season-1641054/

#12

Jaws-themed musical BRUCE (Robert Taylor and Richard Oberacker)

After all the financial loss from this shutdown, do any regional theaters have the resources to be premiering any of the new musicals that were scheduled in the before times? Won't it take at least of season or two to re-build the coffers? Especially for something like this - not exactly a 2- or 3- hander...

#13

Jaws-themed musical BRUCE (Robert Taylor and Richard Oberacker)

Peronista said: "After all the financial loss from this shutdown, do any regional theaters have the resources to be premiering any of the new musicals that were scheduled in the before times? Won't it take at least of season or two to re-build the coffers? Especially for something like this - not exactly a 2- or 3- hander..."

All depends on enhancement agreements or co-productions. Whether the audience is made aware or not, many new musicals at LORT theatres are produced with the aide of commercial producers who have the option to move it. That's become its own obstacle because sometimes these theatres can't afford to do a musical, period, without enhancement. Post-pandemic, the theatres may rely even more on outside financial support if they are planning to develop new work.

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