It's interesting to see the strategies of different shows dealing with international cultures & characters.
HERE LIES LOVE seemed hyperconscious of touting its all-Filipino cast & consultants and in some ways minimizing the promotional work of Timbers, Byrne, and the other whites who created the show, seemingly in fear of it looking like whitewashing. KPOP was similarly handled. When both shows flopped, there was a lot of finger-pointing about the 'treatment' of Asian stories on Broadway (some of that in bad faith).
MAYBE HAPPY ENDING, by contrast, has one Korean coauthor, one Korean supporting actor, and no Korean people on the directing/design/lead-producing team. Is that "right"? Will it pay off? I don't know.
(As far as grosses go, MHE would be so lucky to do HLL numbers, and at least it's started a little better than KPOP)
Updated On: 11/10/24 at 12:27 PM