Did anyone see this, was it good? Who was in it? anything?
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
I saw it, can't remember anything about it... have the Playbill somewhere... Mail
Music Box Theatre, (4/14/1988 - 5/15/198 Preview: Mar 29, 1988 Total Previews: 19 Opening: Apr 14, 1988 Closing: May 15, 1988 Total Performances: 37
Category: Musical, Original, Broadway Setting: A Manhattan apartment. 6:00 A.M., one winter morning / 11:15 P.M., four months later.
Awards and nominations Songs in this Production
by opening date
Opening Night Production Credits
Theatre Owned / Operated by Irving Berlin and The Shubert Organization (Gerald Schoenfeld: Chairman; Bernard B. Jacobs: President)
Produced by Michael Frazier, Susan Dietz, Stephen Wells, The John F. Kennedy Center for the Performing Arts and ANTA (Alfred de Liagre Jr: executive producer; Jean Dalrymple: executive director); Associate Producer: Kenneth Biller
Orginally produced by The Pasadena Playhouse (Susan Dietz and Stephen Rothman, Producing Directors)
Book by Jerry Colker; Lyrics by Jerry Colker; Music by Michael Rupert; Music orchestrated by Michael Gibson; Musical Director: Tom Fay; Dance arrangements by Tom Fay; Vocal arrangements by Tom Fay
Directed by Andrew Cadiff; Choreographed by Grover Dale; Assistant Choreographer: Stephen Jay
Scenic Design by Gerry Hariton and Vicki Baral; Costume Design by William Ivey Long; Lighting Design by Richard Nelson; Projection Design by Gerry Hariton and Vicki Baral; Sound Design by Tom Morse; Multi-Image Production by Nelson & Sixta; Hair Design by Phyllis Della Illien
General Manager: Frank Scardino Associates, Inc.
Production Stage Manager: Craig Jacobs; Technical Supervisor: Peter Fulbright; Stage Manager: Michael F. Wolf and C.C. Cary; Assistant Stage Mgr: Larry Collis
Musical Supervisor: Paul Gemignani; Conducted by Tom Fay; Music Contractor: Paul Gemignani; Assistant Conductor: Henry Aronson; Piano: Henry Aronson; Cello: Wendy Brennan and Evalyn Steinboch; Woodwinds: Vincent DellaRocca and Dale Kleps; Drummer: Norbert Goldberg; Violin/Viola: Jill Jaffe; Guitar: Scott Kuney; Bass: Douglas Romoff
Press Representative: The Joshua Ellis Office; Casting: Eleanor Albano and Susan Chieco; Managerial Associate: Jim Brandeberry; Dance Captain: Stephen Jay; Advertising: Grey Entertainment & Media; Photographer: Ron Scherl
Opening Night Cast
Michael Rupert Alex Antonia Ellis Sandi Mara Getz Dana Robert Mandan Max Brian Mitchell Franklin Mary Bond Davis Radio Singer Mama Utility Brunhilda Operator Lois T. Wertshafter Pitchperson Louise Hickey Power Lady Gypsy Harmony Steinberg Pitchperson Robert Loftin LIFE Exec. Assistant Con Ed Man Boy Scout Craterface Callahan Pitchperson Alan Muraoka LIFE Exec. Assistant Con Ed Man I.R.S. Auditor Takeuchi Fujimoto Pitchperson Michele Pawk Kathy Sue Binger Power Lady Democratic Party Delegate Candi Suwinski Pitchperson Rick Stockwell Radio Announcer LIFE Exec. Billy Ray Binger Con Ed Man Hunter Mr. Stansbury Pitchman Pitchperson
Swings: Stephen Jay, Rachelle Ottley.
Standbys: Jerry Colker (Alex), Larry Collis (Max), Milton Craig Nealy (Franklin), Michele Pawk (Dana, Sandi).
All I know about this is that it earned Brian Stokes Mitchell his Theatre World Award.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Act I starts with Michael Rupert coming home after having picked up and left his life on hold for several months. There is a HUGE stack of mail awaiting him. As he opens each piece the ensemble come out from different places in his apartment and "sing" the mail. For example, when he opens the Con Ed disconnection notice, the ensemble comes out of the stove (?) in hard hats and Con Ed Uniforms. It's really weird. At the end of Act I, there is a great solo where Rupert decides to start over again and views his new life as a "Blank Piece Of Paper" (He was a writer, I think, hence the metaphor).
Act II deals mostly with him repairing the relationships that were damaged by his disappearing, specifically his girlfriend.
It was an odd show to be sure. It had some cute bits, but the score was disappointingly unmemorable and I never warmed to the character b/c all his problems were of his own making.
ETA: the version I saw was saved for posterity during the previews, about a week before it opened. I don't know how much changed in that time.
Tazber, thanks for that. It sounds um interesting...maybe!
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Michael Rupert wrote (or co-wrote, I can't recall) 3 Guys Naked from the Waist Down. When I attended a final preview, he was there and he was just as personable as he usually is. Great guy! I was disappointed when MAIL closed prematurely.
taz...you seem too young to have seen Mail in the original run...were you two? Great description, tho.
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."
I saw it in L.A a long time ago. Pasadena Playhouse. I loved it and if I recall, it was a bigger hit in L.A than it was on Broadway. Every letter he opens up comes to life and sings a number. Yikes, Im dating myself!! That had to be in the 80's sometime, why are they calling it a new musical?
I LOVE this show, and I have a great story about it.
It was a freezing January morning in NYC, and tickets went on sale the SAME DAY for "Chess," "Carrie," and "Mail."
There was no Internet then, so we used to go line up for shows. Of the three, I chose "Carrie", and was the only person who lined up for that show.
Then I ran over to the "Chess" box office, where there was a line, and bought tickets.
And then I went to "Mail."
Outside of the Music Box Theatre, there was a press agent. "Mail" had cancelled its first preview, but he was offering a deal. If you brought a pound of junk mail to him, you would get two free tickets.
I ran to the office I was working at, got a huge amount of junk mail, and delivered. I got tickets for three performances.
If I remember correctly, Michael Rupert did not write it as a vehicle for himself. The actor who had been cast as the lead got sick, fired or quit and Rupert stepped in relatively last minute. He got good notices for that, but not for the show itself.
I saw his new musical "Streets of America" in a student production here in Pittsburgh last year. He has a gift for melody and it's sad that he didn't do anything with it for so long.
"A coherent existance after so many years of muddle" - Desiree' Armfelt, A Little Night Music
"Life keeps happening everyday, Say Yes" - 70, Girls, 70
"Life is what you do while you're waiting to die" - Zorba
I saw Mail in previews. Michael Rupert was out, so Jerry Colker was on. The concept, as has been stated above, had the Leading man coming back to his New York apartment after a three week absence to a giant pile of mail. An oddly dated concept today.
I remember Brian Stokes Mitchell rising out of the desk blotter for one number as the best friend. Robert Mandan, from SOAP was a crazy bundle of nerves as the father.
The Show was almost entirely sung, one letter after another. It was hard to get in involved with anyone because they would just as soon disappear back into the set, fun as the effect might have been. I remember a lady telling the listening device attendant "You should have of told me how loud it was. I wouldn't have rented these!"
All in all, not a great night at the theater, but for the chance to attend my first flop musical on Broadway!
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian