"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Joevitus, we're as likely to get a Bobby as a Bobbi if a film is made. But I'd prefer a Bobbi as I think Marrianne Elliot's revision plays better in 2024. A piece with Bobby would need to be firmly set in the 70's to make sense and it's a story I don't find as interesting.
I'd have preferred a pro shot of the stage production. Sondheim shows work better that way. And the PBS productions from the 80's introduced generations to his works.
MrsSallyAdams said: "I'd have preferred a pro shot of the stage production. Sondheim shows work better that way. And the PBS productions from the 80's introduced generations to his works."
100% Marianne Elliot would only make a company film with her vision of the show and Bobbi. She literally worked with Sondheim himself on it many of the emails are now public. There is no way she would bother to do a film version of Company the original way. That’s just not her work.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
There is equal chance of this being great and being awful. Could be a tricky property to adapt for the screen, especially as a first-time filmmaker.
Assuming this will more resemble an indie and not a studio tentpole, Aubrey Plaza could do something really interesting with the part and can carry a tune. I also love the idea of Emma Stone or Jessie Buckley...Janelle Monae?
This could also take years if they don't even have the rights and funding and a script, and people who aren't currently age-appropriate (Florence Pugh, Keke Palmer, Selena Gomez) might be old enough by the time production rolls around, while people on the older cusp currently (Hathaway, Blunt, Johansson, Seyfried) might age out.
Elliot's production had enough fun, surrealistic moments to read as cinematic. But will it be as good a movie version of Company as "Russian Doll" already is?
Seems like this would be a no-brainer for Anne Hathaway to lead, non? She was allegedly supposed to open Broadway until she became aware of her pregnancy.
She's really balances out the best of Rosalie and Katrina, imo.
ElephantLoveMedley said: "I never knew how badly I want to see Emma Stone as Bobbie but now I can’t get that casting out of my head."
Saaaaaaame. I think a female Bobbi works best with an actress who has an edge to her. The tension between 'this woman is a lone wolf' and 'this woman is alone and wonders what she's missing' makes for a compelling version of company. Whatever her vocal limitations were (and they didn't bother me at all), I thought Katrina Lenk had that in spades and Stone would have that as well, even if the specifics would be very different from Lenk's Bobbi.
And a Taraji P. Henson Joanne? That's my new cocaine.
MrsSallyAdams said: "Joevitus, we're as likely to get a Bobby as a Bobbi if a film is made. But I'd prefer a Bobbi as I think Marrianne Elliot's revision plays better in 2024. A piece with Bobby would need to be firmly set in the 70's to make sense and it's a story I don't find as interesting."
You really think one revival will have that much impact on future productions? I guess I hadn't thought that it would become a regular choice among productions (let alone a movie adaptation).
I think Bobby still works in a contemporary show, though I think a lot of the work simply is very era-specific ("Vodka stinger," "on a Boeing," the buzz-click busy signal motif, etc.).
ErmengardeStopSniveling said: "There is equal chance of this being great and being awful. Could be a tricky property to adapt for the screen, especially as a first-time filmmaker.
Assuming this will more resemble an indie and not a studio tentpole, Aubrey Plaza could do something really interesting with the part and can carry a tune. I also love the idea of Emma Stone or Jessie Buckley...Janelle Monae?
This could also take years if they don't even have the rights and funding and a script, and people who aren't currently age-appropriate (Florence Pugh, Keke Palmer, Selena Gomez) might be old enough by the time production rolls around, while people on the older cusp currently (Hathaway, Blunt, Johansson, Seyfried) might age out."
Janelle Monáe would make an awesome Bobbi -- but I'd love to see her take as Marta in a "traditional" production of Company!
I think regardless of gender, the show cannot escape the 1970s. They tried to massage some things for the Elliot revival, and some of it worked, but this show will always sound & feel like a period piece. Which I think is fine.
For me, the John Doyle production might have felt more contemporary than the Elliott production, and that had fewer text changes.
SonofRobbieJ said: "ElephantLoveMedley said: "I never knew how badly I want to see Emma Stone as Bobbie but now I can’t get that casting out of my head."
Saaaaaaame. I think a female Bobbi works best with an actress who has an edge to her. The tension between 'this woman is a lone wolf' and 'this woman is alone and wonders what she's missing' makes for a compelling version of company. Whatever her vocal limitations were (and they didn't bother me at all), I thought Katrina Lenk had that in spades and Stone would have that as well, even if the specifics would be very different from Lenk's Bobbi.
And a Taraji P. Henson Joanne? That's my new cocaine."
I agree, and I would die on a hill defending that Katrina and the rest of the production was by far 1000x stronger than the west end production. Maybe if they got Jonathan Bailey ticket sales might have been a little stronger to carry the show for longer, but otherwise I have no complaints.
From all the choices discussed it DOES feel like this show would allow itself to a great cast. Maybe if they get Anne Hathaway and (yet again) Streep as Joanne they can get someone to green light this :P. (BUT I WANT ANNE HATHAWAY AND PATTI).
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000