Oh, a friend called me at 730 tonight to say that the scene outside was madness.. There was a guy there yelling, throughing a fit because he came to see her "Tony wining" performance all the way from Cali.... and since he couldn't exchange for a future date, was trying to galvanize a group to BOO Ms Moore everytime she walked onstage. I'm sure stories will be out soon enough.
Wow. I mean, when I go, I'd be really unhappy if Christine was out (hope not) but I would never boo someone. That's insanely rude.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Christine was indeed out for the evening performance as well. Apparently, our future 2-time Tony winner is ill.
"A birdcage I plan to hang. I'll get to that someday. A birdcage for a bird who flew away...Around the world."
"Life is a cabaret old chum, only a cabaret old chum, and I love a cabaret!"-RIP Natasha Richardson-I was honored to have witnessed her performance as Sally Bowles.
Well, it's not suprising she's sick. It's a pretty challenging role.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
I was just wondering about this this morning when I watched Curtains on the CBS morning show. David HP was great, but sounded abit raspy when talking. How many appearances have he, Christine, and the other Tony nominees done this week. Didn't Christine have 2 shows on Wednesday and then have to be at both the Today show and Regis and Kelly on Thursday + a show that night.
ENOUGH IS ENOUGH...they are only human.
Wishing Maureen a great show tonight, bad karma to the 'let's boo the understudy' idiot, and fun to all the folks at the Tony's tomorrow night!
I agree, Action2. Their schedules this week have been insane. I'm glad Christine is getting some much needed rest before tomorrow night, after which she will not be able to miss *any* performances if the producers want to keep the show running. So now is really her last chance to rest up.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Oh my God, I hope that idiot didn't even make it in the door. I don't care how much he paid, Maureen Moore does not deserve to be treated like that just because he's butthurt that Christine is out.
It's like writing "Norma Shearer for the win!" in a Joan Crawford biography.
I was at the matinee today (June 9) and although I was disappointed not to see Ebersole, Ms. Moore was excellent. I had seen her in the NYCO production of A LITTLE NIGHT MUSIC, but that was 15 years ago so I didn't know what to expect. She was quite tense in the beginning and in her first couple of songs had a tendency to run slightly ahead of the music. She became more and more assured as the first act went on, and her closing song of the first act, and the dialogue surrounding it, was spot on. The cast seemed comfortable with her and supportive, and there were no major slip ups (although the soft shoe part of "Peas in a Pod" was a little tentative).
The second act was superb. The writing and characterization are so much stronger in the second act, and I was deeply moved by the act. Moore seemed to enjoy the deeper character aspects of the older "Little Edie" and she and Mary Louise Wilson were incredibly touching. Wilson is so perfect for this part - alternately petulant and pathetic, funny and tragic. Moore put a wide ranging of color into her singing in the second act, and I can't get "Around the World" out of my head now.
The audience received Ms. Moore warmly and the standing ovation felt genuine rather than forced. Clever sets, interesting songs, some of the lyrics out of the ordinary.
I adore Christine Ebersole and think she's astonishing in Grey Gardens, but I don't agree with the notion that she is carrying the show or that Grey Gardens couldn't be worth seeing without her.
Ebersole delivers her brilliant performance in large part because she has a wonderfully written book and score to work with, and incredible co-stars. (In contrast, there was nothing Stephanie J. Block could do to animate the mediocre material she had in Pirate Queen.) I understand that the marketing, publicity and buzz for Grey Gardens have had to focus on Ebersole. I hope this won't discourage people from seeing tours and other productions of this marvelous work in the future.
Big Edie/Little Edie is a classic role that I hope many actresses will get to one day interpret.
"I have got to have some professional music!" - Big Edie
I agree, Tech. Christine Ebersole is wonderful, but not irreplaceable. The show itself is well worth seeing. I hope it doesn't die when she leaves to do the London tour.