In my opinion, based on the fact that, the musicals chosen are "usually" ones that are open at the time of the TONY's, and because there will only be a few new shows open at that time, I think the nominees will probably be...
BILLY ELLIOTT SHREK THE STORY OF MY LIFE 9 TO 5
Rock of Ages might slip in there in case 9 to 5 is a flop, or if Story of My Life closes (Please God it won't), but these are the most likely candidates in my opinion.
9 to 5 will get nominated and very well may win, it's a huge show with Dolly's name attached, and besides the point it got good reviews and excellent word of mouth! Rock of Ages most likely will as well.
I highly doubt The Story of My Life will.
2008: Feb. 18- Rent, Feb. 19- Curtains, April 18- Xanadu, April 22- Wicked, April 26- Legally Blonde, May 31- Wicked, June 13- The Little Mermaid, June 28- Wicked and Young Frankenstein, July 2- The Little Mermaid, July 6- A Chorus Line and Legally Blonde, August 16- Xanadu, September 13- Legally Blonde and 13, September 28- Xanadu and Spring Awakening, Oct. 12-GYPSY and [title of show], Oct. 19- Hairspray & Legally Blonde, Nov. 9- Wicked and 13, Dec. 14-13, Dec. 26- Billy Elliot, 2009: Jan 1- Shrek, Jan 2- 13 and Wicked, Jan 4- 13, Feb 17- In The Heights, Feb 19- Billy Elliot, Feb 22- Sweeney Todd (tour), March 28- Mary Poppins, April 4- Mamma Mia!, April 15- Jersey Boys (on tour), April 25- next to normal & 9 to 5
May 1- Billy Elliot, May 3- Spelling Bee (tour), May 8- Chicago, May 21- Wicked, June 6- Everyday Rapture, June 23- The Wiz, June 25- Hair July 15- Shrek, August 9- Wicked, September 7- Rock of Ages, October 11- Next To Normal, October 23- The Marvelous Wonderettes, November 7- Ragtime November 29- Dreamgirls, December 25- Billy Elliot, December 30- Finian's Rainbow, 2010: January 9- Bye Bye Birdie, January 16- Memphis February 17- The Phantom of The Opera, February 18- God of Carnage, March 7- Billy Elliot, March 31- American Idiot
9 to 5 and Billy Elliot are locks; those are the two main contenders. As for the two other slots, I agree that Shrek will probably take one. Not sure about the other.
Say it with me: "Why does it matter? BILLY ELLIOT is going to win anyway." :)
I think the lineup (for now) will be:
BILLY ELLIOT ROCK OF AGES THE STORY OF MY LIFE 9 TO 5
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
I hope Billy Elliot performs last for the performances. Billy Elliot should do electricity and let the ballet girls and michaels do a little solo dancing.
BustopherPhantom, I like your lineup, but don't you think that Shrek will be nominated? Or will it be the "Tony surprise of the year"?
Personally, I think that Billy Elliot, Shrek and 9 To 5 will be nominated for sure. For the 4th slot, I hope The Story Of My Life. I have no idea how the critics are going to review it though... So Rock Of Ages stands a chance as well.
I don't think Story Of My Life will be nominated. I think it will close within the next month judging by the numbers of last week. So far I think the following shows will get nominated...
Billy Elliot 9 to 5 Shrek (Maybe) [insert Story of My Life, Rock of Ages, or [title of show] here]
I hope SHREK doesn't get nominated. I'm sick of all these corporate-flavor, film-xerox musicals, and I'm betting that the voters will be too.
However, I wouldn't count it out. Unlike the Oscars, the Tony voters tend to go for what they enjoyed, instead of what seems respectable (case in point: TOP GIRLS being shut out last year, save for Martha Plimpton's nod), so I don't think they'll be as susceptible to the "Well, if we're going to support giant shows like BILLY ELLIOT and 9 TO 5 and ROCK OF AGES, we might as well let a little show like THE STORY OF MY LIFE or [TITLE OF SHOW] in, too" mentality.
So I wouldn't count it out. But God, I hope it gets left out.
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Thanks for clarifying, BustopherPhantom. I see what you mean and you may be right, the voters may go for the smaller, more original shows this year (not that Billy and 9 To 5 are small, but oh well). I'd appreciate it though... :)
Thinking purely about the telecast and getting America to really pay attention to the Tonys this year, I think Tony voters would be nuts not to include "Rock Of Ages" just for the ridiculous spectacle of seeing Jon Bon Jovi, Pat Benetar, and the guys from Whitesnake sitting next to someone like Elaine Stritch for the evening. The awkwardness of that would be hilarious.
The Nominating Committee, which is a group of about 24 NY-based theatre snobs, choose them.
They have been known to leave out biggies in the past.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
You're absolutely correct. That is what I meant (jumped a step in my post). And I totally agree that the Nominating Committee tends to be a bit snobby and disregard some big "less artsy" shows... that is why I think they need to get hip (especially in this economy) to the fact that most of America has no interest in the Tonys (CBS only covers it because Les Moonves is a huge Broadway fan) and they really need to think of ways to get THOSE people outside the Theater Community to pay hundreds of dollars to come to NYC and see the shows. I don't think a televised number from "Story Of My Life" is gonna cut it, sad to say.
And I totally agree that the Nominating Committee tends to be a bit snobby and disregard some big "less artsy" shows
Exactly. Because CRY-BABY, that was totally innovative: I don't think I've ever seen people singing a song... BUT WITH TONGUE!
And TOP GIRLS? Nominating TOP GIRLS would be like saying that Andrew Lloyd Webber should be our national composer (never mind that he's British)!
And we all know how "commercial whore-"esque shows like LOVEMUSIK, THE LIGHT IN THE PIAZZA, A CATERED AFFAIR, CORAM BOY, PRIMO, etc. etc. etc... :)
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
LIGHT IN THE PIAZZA was nominated for Best Musical.
AIDA was shut out of a nomination in a season surrounded by artsy shows.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
LIGHT IN THE PIAZZA was nominated for Best Musical.
Maybe putting PIAZZA in with all those other, not-nominated shows, wasn't the best structural idea. The point was that it didn't win.
And AIDA was the exception that proves the rule. People were sort-of shocked that it didn't get in, just like they were shocked that VICTOR/VICTORIA was left out for two shows that were already closed (SWINGING ON A STAR and CHRONICLES OF A DEATH FORETOLD).
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Well, the voters choose the winners. Not the Nominating Committee. Just saying.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
I do think the TOP GIRLS revival was brilliant, and that it deserved a nomination over the boring revival of LES LIAISONS DANGEREUSES, but that was a pretty artsy production, too.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
My prediction pretty much matches everyone else's:
Billy Elliot Shrek 9 to 5 Rock of Ages
"Rather than ignore those who choose to publish their opinions without actually talking to me, I am happy to dispel any rumors or misconceptions and am quite proud to say that I am a very content gay man living my life to the fullest and feel most fortunate to be working with wonderful people in the business I love."
-Neil Patrick Harris
Bustopher, I never offered any absolutes. Yes, I know you can site examples where big dumb shows get nominated. Congrats. That really wasn't the point. I think what wannabeafoster was offering was that there was A CHANCE that something like Rock Of Ages or Shrek would be shut out because the nomination committee is SOMETIMES snobby toward shows like that.
I love Billy Elliot, but that doesn't need tons of awards to be successful. I really would like to see 9 to 5 take best musical and best score.
I'm a professional. Whenever something goes wrong on stage, I know how to handle it so no one ever remembers. I flash my %#$&.
"Jayne just sat there while Gina flailed around the stage like an idiot."