Schedule delayed me being able to share my thoughts as I'd like on the show outside of production details. I will say I agree with a lot that has been said here, but I guess I fell into the nostalgia bin as I really enjoyed it.
I watched the full movie for the first time the night after the first preview, and it helped me get a better understanding of what did and didn't work for me and possibly why.
First off, the money here is in the licensing. I'd say it's a toss up how it does on Broadway, but it will sell well on tour and be endlessly produced in dinner and community theaters across the country.
Outside of some detail changes and reordering or compression of events, it is very faithful to the movie which I think is to its detriment at times. Awkward lines and quickly moving plot points or character attitude changes that seemed to turn on a dime were directly from the movie. Hammering home the point that Miranda doesn't love Daniel anymore in a show all about family seemed off to me watching from an adult viewpoint. Their relationship is not what the show is about, and there would still be some affection there while not romantic. The level of their animosity towards each other feels outsized to the situation. Sorry, long way of me saying that just felt like a simplistic portrayal of a messy relationship that felt unnatural.
This all then makes it confusing that they actually changed some things which make characters less likeable, when they would have been better off using what the movie served up to them.
Mr. McClure is working his ass off in this show. Not to say he makes it look like work, it just obviously is. Like Huck Finn in Big River, he is onstage for the majority of a 2.5+ hour musical with the added layer of constantly having to do a full character transformation multiple times throughout the show (sidenote, I'll own being off on what they were actually doing for the face - it didn't seem that extensive each time from my high vantage point). The show hinges on the actor playing Daniel/Mrs. Doubtfire, and I think he has what the role needs.
However, Daniel comes across as a jerk until Mrs. Doubtfire appears. This is definitely a result of the writing and direction, but I'm guessing some acting choices too. The movie opens with Daniel quitting a gig because he doesn't want to promote smoking to kids. In the musical, he gets fired from a commercial because he wants to improvise new lyrics. I get updating to 2019 would most likely require something different, but changing that makes the character less sympathetic. As written here, Daniel seems more childish than child-like. This is also affected by the energy of the character - Robin Williams managed to have a sort of relaxed energy, where here Daniel's energy is turned up to 11. When he yelled at his kids, it was honestly uncomfortable to watch. When he talks about Miranda, he's just downright nasty. They may have done this to give the character more of an arc for the show, but it just had me waiting for Mrs. Doubtfire to arrive. There is a moment where one of the kids says something about missing dad to Mrs. Doubtfire, and after the kid leaves, he says (in Daniel's voice), something to the effect of "I'm right here." That was the heart of the show for me, and I wish they had taken some time to develop the relationships with the kids better.
None of the other characters other than Daniel get much depth at all. There are talented performers here in roles that deserve more nuance or mainly exist to move the plot, but get more time than is warranted. Mr. Jolly dragged, and the social worker's prominence was strange. Just because a part was played as a cameo in the movie doesn't mean it couldn't be part of an ensemble track in the musical.
I'm hesitant to comment on performances further based on a first preview, but I think they've assembled a highly talented cast. I will say I thought Brad Oscar's tic when he lies was hilarious.
I thought the score was serviceable and fun during the up tempo numbers (how does anyone else not have "The shape, the shape of things to co-ome" stuck in their head?), but the musical structure of the ballads didn't always make sense, and the lyrics for those were mainly generic platitudes.
Wow, after all of this, I realize it doesn't sound like I liked the show. But I did! I was laughing along with all of the expected moments, but also unexpected moments like the Monster number - I found its ridiculousness comical. I offer these thoughts only because I think there is a better show within reach.
I held out on getting tickets for this because the two other "Pre-Broadway" tryouts I saw earlier this year at 5th Avenue were disappointing to say the least (did Ahrens and Flaherty really write that bland score for Marie? Had Austen's Pride really been in development that long to give us...that?). I wanted to leave both of those at intermission but held out hope their second acts would be better. I only got tickets for Doubtfire when I saw it had secured a Broadway house. Maybe those other two shows lowered my expectations, but I laughed a lot and had a good time. I did not want to leave at intermission. I just think they have the ability to offer more than that if they are willing to rethink some things.
Updated On: 12/10/19 at 03:05 AM