I saw the movie today - on my lunch break (albeit a LONG one)
I REALLY wish I could say that I knew how non-rentheads would respond. I don't. I'm a renthead. Which makes me very critical, though.
The look and feel of the film is incredible. It's VERY dark. It's dirty. The power is out a lot, and I don't think anyone takes a regular shower. Or shaves. Except maybe Angel.
It is so much easier for everyone to express deeper emotions on film. Songs that turn me off in the stage show (namely "Your Eyes") become masterful and very moving.
The acting is off the hook. OFF THE FREAKING HOOK. Rosario doubters, be prepared to have your butts kicked by her Mimi. She's intense, she's sassy, and very, very lost. She has some really incredibly intense drug scenes that are just mindblowing.
Jesse probably wins the acting award, though. His ICY:R is... again, there are no words. Everything he does, everything he reacts to is SO organic, so natural, and so perfect that you can't keep your eyes off him.
The "most improved" award goes to Adam, who has moved from stage hunk to... master of making Lea's eyes tear up. Yes, the hair is huge (but Wet!Adam makes it worth it) - he's SO much more intense than he ever was on the stage at the Nederlander. Glory = score. Another Day = score. When his nose is red from crying... even BIGGER score.
Wilson is... Wilson. I don't even know any other way to put it. He's so damn pretty in his wig, too. His Angel is touching, and funny, and he's still got the drumming going on.
I'm not even going to talk about Anthony, since anybody who knows me know how much I love him. I can't even type about him. His Mark borders on obsessive compulsive with the camera, though, and you can really see himself burying farther and farther into his work as the **** hits the fan. It's brilliant.
The **** hits the fan a lot harder and more obviously than in the stage show. It's highly effective. Any **** you can think of that hits the Rent fan: it does it, and it's more graphic/clear/urgent/scary.
Tracie: WOW. Singing, yes we knew, but her acting. I feel BAD for her. Her poor little face falling every time Maureen lets her down just makes you want to take her home.
Taye - THIS is one hell of a Benny performance. I will honestly admit to NEVER having enjoyed "You'll See Boys" as much as I did in that movie theater. ALSO - they've developed Bennys character much further, as well as defined all the relationships clearer - I empathized a lot more with where Benny was coming from - he wasn't so much the bad guy.
Idina: Um. Yes. First of all, props to whoever gave her dancing lessons. Amazing. She's very.... flexible.
But seriously, Idina was brilliant. Her Maureen is TRASHY TRASHY TRASHY - just... not a classy girl. And that is amazingly hilarious. Over The Moon is insane. She's just so out of control. And just so everyone knows, she does NOT indicate for the movie audience to moo. Her acting for the more serious scenes is spot on - Maureen may be a skank, but she's got a heart of gold, that's for sure. The audience laughed at almost every word that came out of her mouth.
Outside of the individual people... the whole movie was just... intense.
I cried for the first 20 minutes. NO, there wasn't anything sad going on. I was just so overwhelmed by the whole thing.
My FAVORITE numbers were the "La Vie Boheme" sequence (SO incredibly faithful, yet even BETTER than onstage), "Tango Maureen" (adorable), "Will I" (cried again here), "Take Me Or Leave Me" (trashy Idina in classy environment = good) and um.. well ok everything. Everything was hott. Yes, hot with TWO t's. More would be gratuitous.
The BEST number in the whole thing is "Without You", hands down. Amazing.
Not to say that the movie was perfect. They took a LOT of lines from the stage show that aren't sung and turned them into dialogue. While they don't rhyme, hearing them spoken sometimes gave me a case of the giggles. But for the MOST part, the added dialogue is KEY. Jesse, Adam, and Idina have the BEST added things to say. Idina has the most... added... stuff and it is all hysterical. I like it, it didn't detract from the show.
The movie SOUNDS different from the soundtrack. The vocals of whoever the camera is on are the loudest... that is VERY effective, keeps it from sounding fake. Doesn't seem "tracked" at all, the closer you "are" to a person, the louder they are. The songs are expanded. Lots. Extra bits of interlude/extra voices/ect. SOUNDS GREAT.
So in conclusion. It isn't Rent the stage show. It transcends that. I really feel like it is the most faithful movie adaption I've ever seen of a musical. The spirit of Rent is really there. And when the credits ended, and the screen just said "Thank you, Jonathan Larson" - I said it too.
Now what would you say if today I started over?
Without a thing but this taped together four leaf clover
And I'll pretend like everything is already alright
And I'll run toward the sun till the castle's out of sight