I think one of the reasons that the revival of HAIR was so successful, was because it *didn't* try to update or make it contemporary. Diane Paulus brought wonderful ideas and a clear story telling aesthetic to the property, but the production was in many ways more faithful to the original production than many other revivals I've seen.
The La Jolla production of THE WIZ tried to update the material and it largely didn't work.
I'm with Best12 that THE WIZ is in every way (musically, aesthetically, dialectally) rooted in the 1970s and its best shot at a successful revival is to embrace that fact and not get too caught up in modernizing it for contemporary audiences.
A revival of Holder's original production (not the 1984 revival or 1992 national tours which were done on the cheap) would be divine (and probably revelatory) on today's Broadway.
Updated On: 7/2/14 at 11:29 AM