Let’s assume, for the sake of discussion, that BETTY22’s blind item is accurate.
I have operated on the following set of assumptions about this show, based on various news accounts.
1) Sondheim never finished it. He also is a well-known procrastinator, writing many significant songs during his career in previews or out-of-town tryouts. That was never going to happen this time.
2) It wasn’t necessarily close to being finished. Cameron Mackintosh said 50-60 percent, and BETTY22 has it at less than that. The second act is a total mystery.
3) Michael Cerveris said the first act was basically done when he did a reading in 2017. Was it only six songs then? The show could have been rewritten since then, and songs could have been dropped.
4) There was a reading, with Nathan Lane and Bernadette Peters, just a few months before Sondheim’s death that led to public announcements about the planned show by Sondheim and Lane.
4) Several prominent creatives - including the director, music director, and Sondheim’s longtime orchestrator - believe the show is in presentable form. Their involvement affected my decision to buy tickets, albeit the cheapest ones I could get.
5) The show is being billed as a musical, but if it’s really a play with music (the music being Sondheim’s last songs and whatever other music the creatives pull together), I would still be interested in seeing it. Some of my favorite plays in recent years (Cambodian Rock Band, Vietgone, Indecent) have been plays with music.
6) If it’s really a play with music, there would be legitimate questions raised about how this show has been marketed. But that’s a separate issue.
7) The cast is interesting. There are a lot of talented people involved in trying to make this work. I do not believe they are all participating in a cynical cash grab.
8) The show might be terrible, but that is always a possibility. As my wife said when we decided to get tickets: ‘It will be an experience.’