The Christmas Gods blessed me with winning a rush seat in the 3rd row, center orchestra and I am so very grateful. This is definitely in my top 5 favorites for the year. What a thrilling, well executed ride with acting I will never forget. Truly a must-see! Manville is Tony bound for sure.
Broadway Star Joined: 4/3/17
Broadway Star Joined: 11/18/13
I doubt anyone needs a dissenting opinion, but after seeing this on Friday I cannot say I consider it a "must see." Both Strong and Manville are perfectly excellent, but I found the adaptation to be uninspired and lacking any wit or bite. Go for some good acting. Do not go if you're looking for a good play.
Updated On: 12/14/25 at 08:05 PMBroadway Legend Joined: 8/26/19
Falsettolands said: "I doubt anyone needs a dissenting opinion, but after seeing this on Friday I cannot say I consider it a "must see." Both Strong and Manville are perfectly excellent, but I found the adaptation to be uninspired and lacking any wit or bite. Go for some good acting. Do not go if you're looking for a good play."
Interesting. After seeing all Broadway plays from this season (except Art, just didn't pan out), I thought Oedipus is the only truly must see play of this fall. Everything else so far is skippable. Maybe Liberation deserves to be seen also. Having very high hopes for Bug.
Come to think of it, Oedipus was at the bottom of my list in September. Thank God I saw it. A true masterpiece imo
Broadway Star Joined: 11/18/13
gibsons2 said: "Falsettolands said: "I doubt anyone needs a dissenting opinion, but after seeing this on Friday I cannot say I consider it a "must see." Both Strong and Manville are perfectly excellent, but I found the adaptation to be uninspired and lacking any wit or bite. Go for some good acting. Do not go if you're looking for a good play."
Interesting. After seeing all Broadway plays from this season (except Art, just didn't pan out), I thought Oedipus is the only truly must see play of this fall. Everything else so far is skippable. Maybe Liberation deserves to be seen also. Having very high hopes for Bug.
Come to think of it, Oedipus was at the bottom of my list in September. Thank God I saw it. A true masterpiece imo"
I haven't really enjoyed a single play on Broadway this season. I really enjoyed quite a few Off-Broadway (Cartozians, Queens, Other Americans.) I saw Liberation during its off-broadway run and very much disliked it. Oedipus and Little Bear kind of sit tied for me (underwhelming plays with really excellent performances) I want to also clarify that I will not be attending Marjorie Prime by choice, but I don't doubt that the performances are probably great.
Broadway Star Joined: 4/3/17
Lesley Manville mentioned the people filming the curtain call on Colbert. "Can't something live in our souls?"
https://www.youtube.com/watch?v=s6eSSy_rX2A&t=327s
Saw this tonight and it was thrilling! Engrave Leslie’s Tony Award ASAP.
Warning: Dont take a camera out and film the curtain call in the front row. Leslie was not happy and gave the audience member the death stare and ended up shaking her head a bunch.
Today Tix has rush and we sat third row.
See this asap
WldKingdomHM said: "Saw this tonight and it was thrilling! Engrave Leslie’s Tony Award ASAP.
Warning: Dont take a camera out and film the curtain call in the front row. Leslie was not happy and gave the audience member the death stare and ended up shaking her head a bunch."
Saw the show on 12/16 from the second row. The gentleman in front of us did the exact same thing and she literally gave him the death stare for the entire curtain call - he didn’t get the hint. At first I was embarrassed for him, but then I grew angry when he kept filming and it was obvious that he just didn’t care.
Thanks once again to TDF, I was there this afternoon in a packed house, an audience that leaned forward almost en masse in rapt attention. The unhurried, low key naturalism that slyly launches the action as the characters gather to celebrate of happiest night of their lives feels like an especially brilliant directorial choice in hindsight. The play's journey toward revelation upon revelation via 2500 year-old plot machinery makes the suspension of disbelief a decisive ingredient, and seals the deal for this masterwork of a production. Only by securing our full acceptance of the circumstances as recognizable reality can the scale of the tragedy engage us - and this play grabs us by the lapels and demands our investment.. Even knowing several staging spoilers, I was genuinely shocked (in the best sense) by Icke's theatrical sleight of hand. I can't shake the feelings this Oedipus excavates - some likely from our subconscious - nor forget the potency of the images. The synergy of Icke's craft and Sophocles' pre-psychology comprehension of human boundaries messes with our heads, no other way to put it. No spoiler, but a late moment between the Strong and the poignant Anne Reid had me suddenly in tears of the unexpected kind - the best in the theater. If anyone is still wondering whether to go - go: a month remains.
Joined: 12/2/25
Leslie manville is out tonight. I was very impressed with todaytix that sent out an email and gave me the opportunity for a voucher. Her name is above the title.
Broadway Star Joined: 3/29/25
I'm helping out a sick friend who has one ticket for Friday, January 16 performance, 7 p.m.
Great seat, Row BX (second row), Seat 101 on the aisle.
Selling for $100. Paypal.
Mobile transfer from Today Tix.
Message me here if interested.
Broadway Star Joined: 3/29/25
Broadway Legend Joined: 3/29/23
Lesley Manville on Broadway's 'Oedipus,' Intimacy Coordinators
https://variety.com/2026/legit/news/lesley-manville-broadway-oedipus-intimacy-coordinators-1236630958/
TBone said: "WldKingdomHM said: "Saw this tonight and it was thrilling! Engrave Leslie’s Tony Award ASAP.
Warning: Dont take a camera out and film the curtain call in the front row. Leslie was not happy and gave the audience member the death stare and ended up shaking her head a bunch."
Saw the show on 12/16 from the second row. The gentleman in front of us did the exact same thing and she literally gave him the death stare forthe entire curtain call - he didn’t get the hint. At first I was embarrassed for him, but then I grew angry when he kept filming and it was obvious that he just didn’t care."
Last night the ushers were very adamant telling people before the show that "There is NO photography at any time including during curtain call!" I didn't notice anyone up front taking pictures so hopefully the new instructions are helping.
Cape Twirl of Doom said: "TBone said: "WldKingdomHM said: "Saw this tonight and it was thrilling! Engrave Leslie’s Tony Award ASAP.
Warning: Dont take a camera out and film the curtain call in the front row. Leslie was not happy and gave the audience member the death stare and ended up shaking her head a bunch."
Saw the show on 12/16 from the second row. The gentleman in front of us did the exact same thing and she literally gave him the death stare forthe entire curtain call - he didn’t get the hint. At first I was embarrassed for him, but then I grew angry when he kept filming and it was obvious that he just didn’t care."
Last night the ushers were very adamant telling people before the show that "There is NO photography at any time including during curtain call!" I didn't notice anyone up front taking pictures so hopefully the new instructions are helping."
They are protecting the audience from the Manville glare !
Joined: 12/2/25
I saw this tonight, loved it! Wasn’t aware we weren’t supposed to take pics at curtain call. Why can’t we? Some shows actually want you to do it.
Broadway Star Joined: 6/3/18
Merkin2 said: "I saw this tonight, loved it! Wasn’t aware we weren’t supposed to take pics at curtain call. Why can’t we? Some shows actually want you to do it."
because Manville believes these people do not have souls ;)
Photography was never allowed in theaters. This new IT-granted sense of entitlement - because cameras exist on mobile phones everyone should be able to photograph everything - suggests new standards for performances. Actors are perfectly justified in their fury.
The Devastating Monologue That Is Leaving Audiences Spellbound
Personal history emerges by painful degrees in “Oedipus,” whose language and story, the actress Lesley Manville says, “wreck me every time.”
https://www.nytimes.com/2026/01/31/theater/oedipus-lesley-manville-broadway.html?unlocked_article_code=1.IlA.A7Os.12w9st12n34s&smid=url-share
Broadway Star Joined: 3/29/25
Any opinions on far house right or left or near the back of the orchestra?
Broadway Star Joined: 4/3/17
SteveSanders said: "Any opinions on far house right or left or near the back of the orchestra?"
I was in rear orchestra house right and saw everything perfectly. The distance helps since you're not craning your neck in the video at the beginning
SteveSanders said: "Any opinions on far house right or left or near the back of the orchestra?"
I sat house right in the back of the orchestra when I went, and both the view and sound were great.
Joined: 12/2/25
I saw it in the rear mezz and I thought it was a perfectly good view. The only issue is that everyone is packed in there like chickens, no leg room, and the seats are extremely tiny.
Videos