Agreed. Legs also has some of the most amusingly incompetent lyrics ever written for the Broadway stage. The orchestrations are lovely and have professional polish with an 80s flair. "Speakeasy" is among my favorite guilty pleasure songs as is the dreadful "I Was Made for Champagne"--a lyric followed by "but don't get me wrong I'm still glad I came."
I was fascinated by Legs after reading Ken Mandelbaum's article "The Final No-Fooling Last Word On Legs Diamond," in Theater Week. Of course his piece in Not Since Carrie fired my interest as well.
I read those in 1996 or so and had no idea there had been a cast album, as Ken makes no mention, and that is was LONG out of print. I assume it was produced with Peter Allen money because I can't imagine how else it exists being one of the biggest embarrassments of 80s Broadway. Well, consider my shock when I came across a copy at a closeout CD sale around that same time.
Arkiv has made it available on-demand, but it can be found for less than a dollar. So odd.
The artwork is still among my favorites. Ooh, and Julie Wilson is always fun.
With Irma you gotta do something!