What this chromolume accomplishes that others often do not: it creates roughly an equivalent of the painting, at least in terms of visible effort, artistry and vision. The vision thing most critical. In the original, it was hard to tell whether the show wanted us to recognize the second George as a true iconoclast, or someone whose work is a pale, diluted use of the artist's DNA (that's shorthanded). What this majestic, eye-popper of a chromolume suggests: the artistry is absolute, handed down, realized anew. For my money, it makes this second act somehow more grounded, this second George more valid as a descendant. Just my response, whether intended or not. Some feel it's too much for the lean n'mean production. But actually, it's just the visual surprise that the show needs to make the elements in the second act cohesive. And it's a beaut of a second act, especially with the glorious Ashford Marie, my favorite (and I loved the others).
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 4/20/17 at 01:18 PM