godlessondheimite2 said: "Pretty much from "Days and Days" onward, Fun Home becomes a free-fall of sadness and it's magnificent.
"I was a total wreck too. I just watched it again last weekend and Michael Cerveris was more emotional that I remembered him to be when I first watched him a year ago. so when he sang The edges of the World I was bawling. And I thought Judy Khun's understudy was magnificent. But of course nothing beats Telephone Wire for me. The moment when the father asked big Alison instead of Medium Alison if she wanna go for a ride... God that just kills me. I hope I can watch it again in September.
One of Andrew Lloyd Webber's lesser known musicals was once called THE BEAUTIFUL GAME ( now retitled as THE BOYS FROM THE PHOTOGRAPH). It was probably one of the saddest musicals ever written as the the central theme revolved around the effect of sectarian violence in Northern Ireland on the lives of the young boys who played the beautiful game ( of soccer football). And the unexpected saddest moment for me was when two young women sing about leaving one's homeland because of the effect of the conflict on their lives. The plight of immigrants is also a subtheme as it was both for political and economic reasons which were driving them away from their native land. It is a very beautiful and poignant song -- GOD'S OWN COUNTRY!
For me personally, definitely “Telephone Wire” in Fun Home. Specifically, when she says the final line, “That was our last night…” That’s the most I’ve ever cried during a show. And then when they do “Flying Away”…man, there’s a lot of emotions going on at the end of that show. Gets me every time.
Edit: also wanted to add, right before "Telephone Wire" when he acknowledges older Alison instead of Medium Alison...that's where the welling-up begins.