Musicals:
Lord of the Rings (London)
The Witches of Eastwick (London)
Zorro (London)
White Noise (Royal George)
Sense and Sensibility (Shakespeare Theatre)
Emma (TheatreWorks)
Wonderful Town (Goodman)
Brigadoon (Goodman)
Jesus Christ Superstar (Lyric Opera)
Candide (RNT)
London Road (RNT)
Elmer Gantry (La Jolla)
Plays:
Cloudstreet (RNT)
Frankenstein (RNT)
The Truth (London)
Gloria (Vineyard)
A Flea in Her Ear (Alley Theatre)
I wish the pre-Broadway tour of Jekyll & Hyde had been the version that opened on Broadway.
Agreed, though the first tour was better than the second, but what ended up on Broadway was a completely different show.
And, lastly, Mary Zimmerman's Candide, which played the Goodman in Chicago, the Shakespeare Theatre in DC, and the Huntington in Boston, remains one of the most stunning pieces of theatre I have ever seen.
Really? I saw it at the Goodman and was underwhelmed. A few fun scenes amid the sea of Zimmermanisms, but to me, it felt very disjointed and even oddly amateurish at times. I loved the Light Opera Works production in Chicago, however.
The Old Globe/Broadway Playhouse/59E59 production/revision of Working was a fantastic production that was aimed at Broadway for years before doing a limited, sell-out run off-Broadway.
Another puzzlement. Saw it at Broadway Playhouse and enjoyed 3-4 numbers, but it looked like something meant for community theatres. I like the revised score with Millwork being the highlight of the show, but I was mostly bored by the staging. The choreography was especially uneven, with some numbers working out okay, but others overly ambitious for the space and poorly executed. I remember wincing at watching one of the new Miranda numbers that attempted to knock-off Blankenbuehler's In the Heights stylized choreography and it was jarringly out of place within the show and with that cast.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Updated On: 5/22/18 at 11:10 AM