Xanadu,
[title of show],
Legally Blonde,
Hairspray (rumored)...
Spamalot's closing does not come as a surprise, predicted months ago (their grosses and celeb casting). It's devastating and frustrating. And, unfortunately, this is something I'm afraid we're going to have to get used to. We may be approaching another "1980s" as far as frequency and quality of lasting shows. Economy is ripping Broadway a new one... I don't like to spell doom, but I'm positive at least 4 more shows will be added to that list by March.
First, we have our "engagements" which often have the option to extend. It's safe to say that among
To Be Or Not To Be,
Equus,
The Seagull,
Dividing The Estate and
A Man For All Seasons... most will not try to push an extra week.
Second, we have our "privilege" shows (translating: they're lucky they even got their break) like
13 and
A Tale of Two Cities that either suffer from marginalized target-audiences or a general lack-luster feeling. Lucky if they make it past the holidays.
As for the long-lasters facing sketchy times, I am leaning strongly on
Spring Awakening (once Hunter goes),
Avenue Q (could hang on thru April) and
Young Frankenstein (by Christmas). It surprised me
The 39 Steps is considering a 3rd theatre move in January, given their hot/cold sales. It may even be
August: Osage County's turn soon.
It's almost certain
Gypsy will shutter once Patti departs in March.
Dancin' was postponed and replaced with
Godot for any number of reasons, but I figure mostly because there was no buzz around auditions yet; and generally, plays are cheaper to mount (in spite of 2 prime-realestate actors). And still we didn't get
Godspell or
Colored Girls.
Let's not forget Off-Broadway. If we're surprised Broadway is struggling, imagine the turmoil some theatres are facing just being able to pay their way! Barrow Street, New World, 37 Arts, Union Square... all popular with nice foot-traffic but sky-rocketing rent! Shows previously expected to be semi-well-received (like
Rock of Ages) seem to be fading into a nondescript background of low publicity and hypelessness.
Funding just doesn't exist. People are much much tighter with their disposable incomes. Today, if a 4-person Jersey family has to choose between fixing their minivan's transmission or a Broadway show, they're choosing the minivan.
Updated On: 10/18/08 at 08:32 PM