Right, he is now emotionally available, when in the past we knew he wasn't. That song provided a back story, and clues us in on why he's sad when talking about her.
That's great storytelling in my view and totally worked with the show.
So if Robert's central character flaw is being emotionally unavailable - and during the events of the show, he has RESOLVED that flaw - doesn't it follow that Robert is therefore essentially perfect, as others have been saying?
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I don't know why anyone would assume Robert is a perfect man. If anything, he seems a bit selfish in thinking Francesca should leave her family and run away with him.
When I listen to "Another Life", I wonder if Robert and Francesca's romance could have possibly cooled in the same way. Robert and his wife had an initial spark as well. However, by having this four-day affair, and leaving their love and potential future unresolved, both characters are left with a perpetual "what if?" which may be (and is most likely) a bit of a fantasy compared to what the reality would have been if they stayed together. That doesn't mean, however, that this affair didn't transform them somehow - make them approach their lives from this point differently. And in that way their relationship was successful. To me, that is what the final two numbers are about - the lasting impression each left. And also how, perhaps, Robert solved Francesca's "what if" by making her come to terms with her previous choices and how they've led her to her present situation and her family. Francesca's feelings in "Almost Real" that she has no regret and was lucky to have what she had, is increcibly mature....perhaps a bit too mature for some of the audience to digest and for a society that seems to revel in drama, divorce, etc. That also seems, to me, to be the moral of the show (the large effect "one second" can have on your life, appreciating life's path and the choices you've made, self love)- and the reason why the final 20 or so minutes, which some people seem to dismiss, are so pivitol.
And also how, perhaps, Robert solved Francesca's "what if" by making her come to terms with her previous choices and how they've led her to her present situation and her family.
And, in the same vein, she chooses her family/home again when she decides not to go with Robert. Perhaps after that moment she doesn’t feel so “stuck”; before Robert came into her world, she may not have felt like she had any choice in whether she stayed with her family or not. Now, she can be comforted by the fact that she had the opportunity to leave and, yet, chose to stay instead.
What they should have done is at the moment when Francesca decides to leave her family, the show should have split into two narratives and we could see what would have happened in both. That would explore the whole se/allora experience for Francesca...
One group calls her Frannie, the other calls her Francesca. We'll know which is which because she wears an apron as Frannie, and the lighting will be blue.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
It won't be incredibly confusing if the audience sits close enough and pays attention.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
"Lol. Yes, because tons of reviewers and patrons were alllll wrong."
I'm glad we're on the same page :)
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000