On the performances (some shows I had seen, others I haven’t). Overall, most of the performances suffered from tempo, sound or camerawork issues. I have seen two (Death Becomes Her, Operation Mincemeat) done better in past TV appearances - OM at the Oliviers.
Death Becomes Her - For The Gaze is a one-joke song, and it’s an old joke. The only reason to do it is to show off the ensemble too, but the camera was usually too close. I haven’t seen the musical but would consider it. That didn’t help sell it.
Buena Vista Social Club - The brief book scene didn’t impress, but the musical performance by the band was terrific. One of the better ones of the night.
Just In Time - I have seen much better in other TV appearances. It wasn’t bad because Groff is too winning a performer but I was a little disappointed.
Sunset Blvd. - I have mixed feelings about the revival, but Scherzinger’s performance of ‘As If We Never Said Goodbye’ was my favorite part of it. The edits weren’t distracting and I thought she did well even if the sound was a bit muddier than I would have preferred. The fact that it’s a vocal showcase served Scherzinger well.
Pirates - I haven’t seen it and, my admiration for David Hyde Pierce notwithstanding, the performance didn’t make me feel like I was missing anything. It had more bad camera work.
Hamilton - It seemed perfectly reasonable to do a 10th anniversary thing but I wasn’t eagerly anticipating it, until the performance started. Hamilton always had such crisp and clear sound, even on tour, and they did it again. Everyone sounded great. It was a reminder of the show’s embarrassment of musical riches and stellar performances. It was the unexpected highlight of the night.
Maybe Happy Ending - I thought the song choice was a mistake, but not a disastrous one. The orchestra, Criss and Shen sounded wonderful. With its Best Musical win, the show should get a boost.
Floyd Collins - The audience response was tepid but I really enjoyed the performance. Jeremy Jordan showed off his vocal talents and some acting chops. There weren’t significant sound or camera issues.
In Memorium - Cynthia Erivo’s shining moment as host came as she did the main vocal work for a clearly overcome Sara Bareilles, then hugged her at the end of Tomorrow,’ an appropriate choice.
Gypsy - I am a big admirer of McDonald’s performance in the revival and she showed off some of those strengths in ‘Rose’s Turn’ - her willingness to let uncomfortable silences linger and her unsettling ferocity. But whether it was tempo issues with the orchestra or something else, I thought her vocals were sometimes off even though she recovered by the end.
Dead Outlaw - I was flummoxed about what they would do, as I love the score but wondered how they would translate it in a few minutes. They basically tried to explain the musical, an unusual approach. It relied largely on ‘Dead,’ which has a catchy hook but has lyrics that feel like a mistake and don’t really explain the show anyway. I don’t know what the viewing audience made of it. At least it sounded good, as the songs didn’t rely on the orchestra.
Real Women Have Curves - More sound and camera issues, a running theme. I gather that the musical has better songs. Why not pick one of those?
Updated On: 6/9/25 at 03:59 AM