I was there tonight and I unfortunately rank this as one of the lesser Encores offerings of the past few years, although the fault lies squarely with the material and not the performances.
I know it has been discussed to death around here, but I find the Lippa version inferior to LaChiusa's in every way, but even so the changes that he (or whomever) made to this version were harmful instead of helpful.
A Wild, Wild Party has been moved to the top of the show and I think it plays much better in the middle when the party is actually building towards debauchery. Queenie has been given most of the lines now and she and Burrs perform it as their act. This strips the brother d'Armano of anything to do and they basically are just faces in the crowd.
Worse yet, Out of the Blue has been cut(!!) and these two changes simply set the evening off on the wrong foot. Queenie really needs her I Want song- essentially they try to turn Raise the Roof into Out of the Blue- but it deprives the audience of connecting with Queenie on a more emotional level and keeps Sutton from wowing until far later in the show.
Unlike LaChiusa's simply brilliant parade of guests that marvelously crescendo into Gin/Wild, the guests here are nameless faces in the crowd. Eddie and Mae still have their song, which doesn't really land, and Madeleine gets An Old-Fashioned Love Song, which Miriam Shor hits out of the park, but then the character doesn't make a peep again. Jackie's dance has been cut from act two. Jackie, the brothers, Sally, Madeleine, Dolores, Gold and Goldberg, Nadine; all such vivid characters and individual characters in the LaChiusa commenting on sexuality, gender and race are totally missing here.
What's left? Well the soapy love triangle (plus Kate) just leaves us teetering on the brink of the Jerry Springer edition of The Wild Party. There was a moment in the bathroom where Burrs told Black to leave and Black was like make me and the audience gave an oooooooooooh right on cue as if we were at a trashy talk show!
Luckily we had the ever so wonderful Steven Pasquale on hand, and his voice was in top form tonight. Oh man, did he do some powerful singing. Sutton was good, but the part has been hacked up- she has a new, weaker song at the end instead of How Did We Come to This?- and I think she would have been able to shine more with the role as originally written. Still, she's always an interesting performer and I would never want to miss her on stage.
Like I mentioned, Miriam Shor was a riot and the audience ate her up.
I found the evening largely unsatisfying. Would like to see what this cast could do with Broadway version.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!