It was a complete failure in London (critically and financially). Unfortunately it sounds like another desperate project by desperate producers with no imagination.
First of all let's not forget that this is the same producing team that brought us Leap of Faith. Second of all, the producers of this show have spent a lot of money, probably millions, to develop the show, and continue development post-London. By bringing it to Broadway, at the very least, they have a chance to get there developmental funds back since they are normally rolled into the Broadway capitalization, as well as a significant amount of money in producing fees. The money is why they are taking a chance.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
The show was not a critical failure in London, it recieved mixed reviews. Whilst it could not find a London audience it was a HUGE success on its pre West End tour and played to packed houses and very good reviews. Whilst not life changing it does what it sets out to do very well
Namo i love u but we get it already....you don't like Madonna
The article does say that the production is being substantially revised for Broadway, but recently it seems like shows that undergo massive changes and open cold on Broadway end up being an even bigger mess than they were before.
They drove you right outta London...so you come crawlin' to Broad-way. Well, Broadway doesn't go for...
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
The show was not a critical failure in London, it recieved mixed reviews. Whilst it could not find a London audience it was a HUGE success on its pre West End tour and played to packed houses and very good reviews. Whilst not life changing it does what it sets out to do very well
It must be exhausting to try to defend every piece of West End crapola that comes to Broadway and ends up flopping either way.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE
Such as what Blaxx, I really enjoyed Ghost and thought Flashdance was fun, that's about it. Not the biggest fan of Matilda and don't like BIlly Elliot ( great book, terrible score) so what else Blaxx?
Namo i love u but we get it already....you don't like Madonna
I saw Flashdance in London and also agree that it was alot of fun. When they performed some of the popular songs from the movie, it brought a smile to my face. I don't think I would see the Broadway version but would have if I hadn't seen the London production. If you liked the movie, then you'll enjoy the stage production.
It's terrible, it's so terrible. It's more crap than Ghost, honest. I don't even know how I managed to sit through it. Maybe this is your karma for trying to send us Memphis?!
I wish this well. I hope the changes they have made are actually *good* changes... because given the source material, this could be GREAT.
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS