They've dropped the "Kowalski" from Stanley's name in new Streetcar revival — Page 4

That's too bad- I know Debbie Allen was criticized by many for Directing CAT like a Tyler Perry sitcom but I don't think this production is directed at all for broad laughs.

^With all due respect, Gaveston, I never said anything to diminish the specificity of any facet of the play yet under discussion or in any way implied that the archetypes with which I identified the antagonists were the sole means of defining these two characters you correctly identify as both richly individuated and of a precise historical moment.

I was merely highlighting what I hold to be - as it happens, your post seems to suggest we concur - at the heart of the play in order to put all other matters herein discussed in their proper and relative - albeit by no means insignificant - perspective.

Updated On: 4/3/12 at 11:03 PM

The audience, at least around me, was pretty atrocious. Texting, unwrapping candy, phones going off, full conversations carried out, the man in the couple sitting next to me even started snoring at one point.

As Blanche might have put it, I should have known it would only be a matter of time until this thread gave itself over to the beasts!

What's the design like? I didn't like the design of the BAM production.

And people laugh when they're uncomfortable, and I'm sure this show will draw a lot of tourists and younger people, so I wouldn't expect the audience behavior to change.

The design of the piece is also straight forward and basic. It looks just like every other set of Streetcar I've ever seen. It works well and isn't as "off kitler" as BAMs.

No, it was definitely NOT nervous laughter. I hope the behavior does improve, but as someone who saw Fences and Cat fairly late in their runs I'm willing to bet it won't, sadly.

Michael Bennett, can you expand your thoughts a bit on Nicole Ari Parker? I've always found her quite alluring on screen, but though she trained at NYU, I've never seen her on stage. She's a very, very interesting choice for Blanche.

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"I'm Lena Horne and if there's one thing I can't stand, it's hard, UUUUGLY tartah."

Makes me smile every time I think of it.

"Michael Bennett, can you please remove the information you've added to this thread that's useful for contextualizing the choices of the revival's creative team? I was more comfortable being outraged. Thanks in advance." - Funny!

Michael Bennett, thank you for adding so much to this conversation. MUCH appreciated.

You know its interesting because I thought of Bankhead last night when I was reading about the laughter at the first preview (it should be noted that at the final dress, the actors were obviously not greeted with that kind of audience reaction).

Bankhead who had long wanted to play Blanche (and according to some reports had even been Williams' first choice for the role) finally got her chance in the 1956 City Center revival. By most accounts Bankhead attempted to play the role earnestly, but the audience expecting a Tallulah camp-fest reacted as if the production were a comedy. She was apparently devastated by the reaction.

I feel for the actors in this revival if the reaction last night is what they to look forward to over the next 16 weeks. I think STREETCAR has a lot of humour in it, I think I can even imagine a scenario in which Blanche's final line might arouse satisfied laughter or applause; but for the poetry of the piece to be lost because this productions target audience can't appreciate it is a shame.

For better or for worse, Debbie Allen did understand what kind of reaction primarily black audiences would have to Tennessee Williams and she directed CAT in a manner that catered to it.

It feels as if this production has been done very much in earnest, so I'd be surprised if the cast wasn't a little bit horrified by the titters.

MB, you've put my thoughts into words brilliantly. Not to speak for the actors, but they seemed to me to try to correct the laughter in most situations as best they could. They are playing it in exterme earnest (except of course the actual jokes) and I'm sure they will work on ways to prevent them, or maybe they'll go full Allen/Perry and play to it.

I was actually dreading and expecting hoots and hollers on Blanche's final line. It IS an ironic/knowing/humorous line, but I was expecting knee-slaps. I was pleased to discover that it only got an appropriate audible smirk. This, I think is partially due to Daphne Rubin-Vega's wrenching performance and crying leading up to it to convey a "this is SERIOUS, y'all!" tone.

I'm frankly jealous you got to see the invited dress with a non responsive audience. I probably would have been just as enraptured as you, especially with Rubin-Vega and Parker's subtle and grounded performances.

I will say that even in the final dress, the moment of Mitch turning on the light and seeing Blanche's 'real age' for the first time was one that I though could have been staged more effectively. I think Mann could easily avert laughter in that spot with some different blocking.

I didn't notice the listed change in setting, khaki, though in hindsight, I should have noticed that the clothing definitely reflected that.

It would be interesting to hear Emily Mann's explanation for the change - I assume it was to make the play for this cast more historically believable in some context.