Streisand was 19 years old when she made her Broadway debut in I CAN GET IT FOR YOU WHOLESALE in a show-stopping featured role and was 21 when she starred in FUNNY GIRL. Both times she was nominated for Tony Awards and by 21 she had 3 enormously successful albums released, won a Grammy Award as well as an Emmy Award for being a Guest on THE JUDY GARLAND SHOW.
And I do wonder in the developmental process who has the say to tell the writers “this isn’t working.” Like, can a director say “This isn’t a good song.” There were times in Tootsie where I thought “why did no one point out that this song doesn’t work.”
Opening night is the deadline unless a sooner date is otherwise specified in the offering. On one musical about 10 years ago my partners and I were literally the last coproducers on board...so we called ourselves Under The Wire, LLC!
Any funds brought in after opening becomes a Priority Loan and is repaid ahead of other investors (although often existing investors are offered the opportunity to participate )
I just don’t envision a universe where West Side Story exists without Mr Robbins’ iconic and perfectly meshed choreography. Toss Bernstein’s score while you’re at it
if you want to be fresh and new, go back to R&J and reinvent. As Baz Luhrmann did for his musical film with DiCaprio
RippedMan said: "I do wonder in the developmental process who has the say to tell the writers “this isn’t working.” Like, can a director say “This isn’t a good song.” There were times in Tootsie where I thought “why did no one point out that this song doesn’t work.”"
Really depends on who the writers/director/producer are. Some teams are more collaborative than others. It also depends on who is the (as William Goldman put it) "muscle" behind the show.
Sometimes, it is also a matter of "we don't have anything better" or "we've run out of time." There comes a time when you have to play the hand you're dealt and focus on making the existing show as good as it can be. There's also the story Manny Azenberg tells about Neil Simon: There was a hemorrhoids joke that was bombing. After a week it hadn't been replaced so he went to Simon: "Hemorrhoids?" to which Simon said something like "don't you think I know it's bad?? I just don't have anything better!"
LuPita2 said: "This starts rehearsing in a few months, it premieres in December, a casting announcement should be coming in the next week I would imagine."
The theatre announcement is far more pressing. They need to get this thing on sale. The Broadway (if that indeed is where it's going) has a ton of seats and the last revival was only 10 years ago. With the assumption that they're going with Powell-type names who won't help the box office a bit, they could announce the cast in October and it would have the same impact.
That terrible revival closed eight years ago. That was truly horrific. Anyways, yes, if they are casting people no one has ever heard of, they need another angle. I think people will be very curious about the brand new choreography involved. Yes, the theater and ticket sales are key to this since the cast is not.
natashalost said: "Hollywood Reporter accidentally posted announcement. Isaac Cole Powell, Amat Ramasar, Ben Cook, Yesenia Ayala, and more all confirmed for revival.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
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Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
^ Probably cause the announcement is supposed to be tomorrow. I like this cast though, Amar is interesting for sure however. Im honestly excited to see where this revival goes its certainly intriguing