What was the most shocking Tony Win/loss ever? — Page 3
Posted: 3/16/13 at 6:58pm
Posted: 3/16/13 at 7:00pm
Posted: 3/16/13 at 7:31pm
Of course I could be totally off-base.
Posted: 3/16/13 at 8:05pm
Posted: 3/16/13 at 8:34pm
Posted: 3/16/13 at 8:55pm
Whenever this discussion pops up(And it pops up at least once a year) someone trots out the AVE Q/WICKED awards. What was teh shock? Almost every critic & theatre writer predicted AVE Q was going to win.
The campaign may have cinched it, but road presenters were not stupid: they knew that WICKED was already a smash hit in New York, was a big lavish musical and would draw crowds wherever it played...Tony award or not. Q as a smaller road show might be a harder sell without the Tony Award ballyhoo.
Still, the bitter resentment of the WICKED fans knows no limits. When AVE Q announced the Broadway production was closing so many of them posted messages here (and on other boards) full of happiness that "the enemy" show was finally gone. It was, if nothing else, very funny.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Posted: 3/16/13 at 9:22pm
Didn't Funny Girl lose out to Hello Dolly at the Tonys?
Posted: 3/16/13 at 9:32pm
Posted: 3/16/13 at 9:38pm
Posted: 3/16/13 at 11:11pm
Posted: 3/16/13 at 11:38pm
Posted: 3/17/13 at 1:07am
Contact for Best Musical
Contact beat out The Wild Party, Swing and James Joyce's The Dead.
And not nominated for Best Musical that year were: Aida, Marie Christine, Putting It Together (although this had played off-Broadway a few years before so maybe it belonged in the revival category?)
Posted: 3/17/13 at 1:35am
Spacek did a good imitation of Loretta Lynn, but it was just an imitation. Mary Tyler Moore turned in a shocking performance as the cold, detached mother in Ordinary People. Nobody knew MTM was capable of playing such a bitch. MTM deserved the Oscar.
Posted: 3/17/13 at 1:43am
But that wasn't a shock Gothampc...that is just your preference...Spacek was the heavily predicted favorite whereas Tomei (as someone explained above) was not considered to have a chance at winning prior to the awards.
I'm looking for wins nobody saw coming. Even the Dreamgirls/Nine thing was a duel and some were predicting Nine and some Dreamgirls.
Posted: 3/17/13 at 1:44am
Posted: 3/17/13 at 1:45am
Posted: 3/17/13 at 1:46am
Posted: 3/17/13 at 1:50am
Posted: 3/17/13 at 1:53am
IMO, Spacek is the better actress, but she didn't deserve the win for playing Loretta Lynn. I've seen several imitations of Loretta Lynn, including a drag queen in Nashville, that were just as good as Spacek's.
Posted: 3/17/13 at 1:56am
Michael Bennett told Kelly he thought Priscilla would (and should?) win, but he was always playing mind games with his cast, so.
Posted: 3/17/13 at 1:59am
Posted: 3/17/13 at 2:01am
Kelly Bishop had better material to work with, thereby appearing to have created a better character. Morales has good songs, but you can't beat Sheila's bitchy comments.
Posted: 3/17/13 at 2:03am
Were they duels or shocks?
Posted: 3/17/13 at 2:06am
Now, back to theater bickering.
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